Funding Research
October 18-20, 2000, Pittsburgh, Pennsylvania, co-sponsored by the Wallace-Reader's Digest Fund and Heinz Endowments.
November 13-15, 2000, San Francisco, California, co-sponsored by the Wallace-Reader's Digest Fund and Walter and Elise Haas Fund.
March 2000, 29 pages, executive summary; 126 pages, narrative report. ArtsMarket. Copies are available from Walter and Elise Haas Fund, One Lombard Street, Suite 305, San Francisco, California 94111, (415) 398-4474.
Read More...This issue introduced "From Washington," a new column contributed by Shelley Feist, associate, National Culture Program, The Pew Charitable Trusts. The column provides readers with information on policy and regulatory matters at the federal level affecting nonprofit arts and culture. The aim is to present brief reports on timely but underreported items.
Read More...June 2000, 89 pages, The Arts Marketing Center of the Arts & Business Council of Chicago.
Read More...The following paper was written in conjunction with two meetings sponsored by the Wallace-Reader's Digest Fund and co-sponsored by the Heinz Endowments and the Walter and Elise Haas Fund.
Read More...October 2000, 100 pages, $16. National Alliance for Media Arts and Culture (NAMAC), 346 Ninth Street, San Francisco, California 94103, (415) 431-1391.
Read More...This paper was originally given at the 1987 Conference on Private Philanthropy and the Social Good. It was brought to our attention by a GIA member, and is reprinted here with permission from Cambridge University Press and the estate of Michael Hooker. © 1987 Social Philosophy and Policy Foundation.
Read More...2000, 52 pages, New England Foundation for the Arts (NEFA).
Read More...Working paper writer, Mindy Levine; convening curator, Heather Hitchens
August 2000, 24 pages, Arts International.
Read More...1965, Partisan Review, also published in Against Interpretation and Other Essays, Farrar, Straus and Giroux, New York (1966), 304 pages.
In Susan Sontag's essay, "Styles," published by Partisan Review in 1965 and reprinted in Against Interpretation, a collection of her essays about art, she states:
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