Theater

by giarts-ts-admin

2004, 72 pages. Published by the Alliance for Artists Communities, 255 South Main Street, Providence, RI, 02903, 401-351-4320, www.artistcommunities.org

Download Report: http://www.artistcommunities.org/resource-library/publications/engaging-communities-lessons-learned

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by giarts-ts-admin

GIA members have often expressed an interest in providing resources for artists that go "beyond the check." Following is a list of web sites for organizations that provide useful information related to specific disciplines, funding, career opportunities, professional development, and other resources for artists.

Alliance for Artists Communities   www.artistcommunities.org
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by giarts-ts-admin

Recent decades have seen rapid immigration into traditional gateway cities as well as rural and suburban communities throughout the United States. Craig McGarvey's thoughtful Pursuing Democracy's Promise speaks to the importance of new United States residents' fully participating in civic life alongside the native born.

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by giarts-ts-admin

To California's great Central Valley they have come from the highlands of Oaxaca, the cities of eastern Pakistan, the relocation camps of Thailand—political refugees and new immigrants from around the world aspiring to build a future for their children, grands, and greats.

For three days in October these new U.S. Americans gathered in Fresno's Tower District for their second Tamejavi Festival. Everyone was welcome; the historic Tower Theatre's marquis proclaimed, “Tamejavi: It's Still Free.”

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by giarts-ts-admin

Early in 2004, the Graduate Center of the City of New York convened ten small to mid-sized arts organizations to talk about what had happened to them in an experimental, internet-based project funded by the Ford Foundation. The ten, from across the country, are community-based cultural organizations; they share a commitment to emerging and experimental artists and art forms, and a commitment—equally firm—to their local or nearby communities. Despite their similarities of mission, the ten were not familiar with each other's work.

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by giarts-ts-admin

The following remarks were presented at a symposium that was part of the 2004 Ars Electronica Festival: TIMESHIFT—The World in Twenty-Five Years. This festival for art, technology, and society was founded in 1979 and is held annually in Linz, Austria. Joan Shigekawa, associate director of Creativity and Culture at the Rockefeller Foundation, spoke on the final panel of the symposium, “TOPIA,” which was designed to “present scenarios around a wide variety of topics relating to art, technology, and society.

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by giarts-ts-admin

2004, 34 pages. Published by Arts Education Partnership, One Massachusetts Avenue, NW, Suite 700, Washington, DC, 20001-1431, http://www.aep-arts.org

Download pdf: http://aep-arts.org/files/publications/OpportunitiesResearch.pdf

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by giarts-ts-admin

July 2004, 76 pages. Published by Art in the Public Interest, P.O. Box 68, Saxapahaw, NC, 27340, 336-376-8404, info@communityarts.net, www.communityarts.net

Download Report: www.communityarts.net/readingroom/archivefiles/2004/08/can_report_the.php

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by giarts-ts-admin

July 2003, 12 pages. Performing Arts Research Coalition, c/o OPERA America, 1156 15th St, NW, Suite 810, Washington, DC, 20005-1704, 202-293-4466 x214, parc@operaamerica.org

Download pdf: http://www.operaamerica.org/parc/PARCExecSummary.pdf

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by giarts-ts-admin

2002, 72 pages. ISBN 0-9676467-6-6. Published by Art International, 251 Park Avenue South, New York, NY, 10010-7302, 212-674-9744, www.artsinternational.org

Online: http://www.artsinternational.org/knowledge_base/wp/PhaseII/ica2_toc.htm

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