Music

by giarts-ts-admin

Tell about the South. What's it like there? What do they do there? Why do they live there? Why do they live at all?

— William Faulkner, Absalom, Absalom

The American South is a geographical entity, a historical fact, a place in the imagination, and the homeland of an array of Americans who consider themselves southerners. The region is often shrouded in romance and myth, but its realities are as intriguing, as intricate, as its legends.

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by giarts-ts-admin

2008, 328 pages. Published by University of California Press

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by giarts-ts-admin

Crossing Borders and Boundaries was the theme of the GFE Conference in 2007, and shortly after the GFE and GIA conferences and the Arts and Education Weekend, I left for a trip to Asia including visits to Thailand, Cambodia, and Hong Kong. The GFE conference underscored the fact that one of the most important skills needed now is to be globally literate, which is pretty much being neglected in schools at the moment.

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by giarts-ts-admin

According to some, "the word twain has its origin in the Old English twegen, meaning two. The phrase never the twain shall meet was used by Rudyard Kipling, in his Barrack-room ballads, 1892: 'Oh, East is East, and West is West, and never the twain shall meet.'" Kipling uses a colonial lens to bemoan the lack of commonality and accord between the British and the indigenous East Indian. Until my recent trip to New Mexico I often felt that same lack of accord between arts funders and education funders.

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by giarts-ts-admin

There are few moments in life when you get to experience a series of "firsts." That thought occurred to me in the Albuquerque airport as a first-time visitor to New Mexico, as well as a first-time attendee to both the GFE and GIA conferences.

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by giarts-ts-admin

2007, 113 pages. Leveraging Investments in Creativity, 450 West 37th St., Suite 502, NY, NY 10018, (646) 731-3275, www.lincnet.net

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by giarts-ts-admin
A continuation of the discussion on strategic operating support grants. Do these grants improve an organization's accountability and stability? How do private and public grantmakers sustain the arts ecosystem without creating an over-dependence on any one funder? When providing strategic operating support for organizational change, where does the funder's role end and the arts organization's board of directors' role begin and end?

Accountability vs. Trust

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by giarts-ts-admin

2007, 57 pages. The Boston Foundation, 75 Arlington St., Boston, MA, 02116, (617) 338-1700, www.tbf.org
PDF online: www.bostonindicators.org

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by giarts-ts-admin
A working session to review the Coalition's draft publication, "A National Blueprint for Emergency Preparedness, Relief and Recovery for Artists," and other Coalition works in progress. Also, discussion of a draft plan to give grantmakers better resources for learning about emergency readiness, response, and recovery, and to improve and coordinate safety nets for artists during regional or national emergencies.

Cornelia Carey, Craft Emergency Relief Fund (moderator); Carolyn Somers, Joan Mitchell Foundation (interlocutor).

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by giarts-ts-admin

2004, 55 pages. ArtsMarket, 1125 W. Kagy Blvd., Suite 100, Bozeman, MT 59715, (406) 582-4766, www.artsmarket.com

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