Music

by giarts-ts-admin
Following a successful 2007 program in Santa Fe, members of GIA and Grantmakers for Education (GFE) came together in May 2008 for an Arts and Education Forum in the Boston area. Collectively, over fifty of our members took part in a program that included discussions with government and school leaders, researchers, and inventors. The program examined how one region has tackled the challenge of arts integration and looked at ways that arts and technology could be powerful partners in learning. The following three essays were prepared by participants.
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by giarts-ts-admin

2008, 12 pages. Center for Social Media, School of Communications, American University, 3201 New Mexico Avenue NW, Suite 330, Washington, D.C., 20016, (202) 885-3107, www.centerforsocialmedia.org

http://www.centerforsocialmedia.org/files/pdf/online_best_practices_in_fair_use.pdf

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by giarts-ts-admin

Between 2006 and 2008, the Social Impact of the Arts Project, a research group at the University of Pennsylvania (SIAP), collaborated with The Reinvestment Fund (TRF), a community development financial institution, on an investigation of the creative sector's potential contribution to neighborhood economic and community development.

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by giarts-ts-admin

2007, 16 pages. Americans for the Arts, 1000 Vermont Avenue, NW, 6th Floor, Washington, D.C., 20005, (202) 371-2830, www.artsusa.org

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by giarts-ts-admin

Tell about the South. What's it like there? What do they do there? Why do they live there? Why do they live at all?

— William Faulkner, Absalom, Absalom

The American South is a geographical entity, a historical fact, a place in the imagination, and the homeland of an array of Americans who consider themselves southerners. The region is often shrouded in romance and myth, but its realities are as intriguing, as intricate, as its legends.

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by giarts-ts-admin

2008, 171 pages. WolfBrown, Red Maple Court, 10627 Jones Street, Suite 301A, Fairfax, VA, 22030, (703) 591-3661, www.wolfbrown.com

http://www.wolfbrown.com/images/books/ImpactStudyFinalVersionFullReport.pdf

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by giarts-ts-admin

Danny Newman, who died last year (2007) at the age of eighty-eight, was a major post- World War II patron of the arts, but his contributions were not personal checks. Rather, they lay in helping arts companies—theaters, orchestras, dance groups, operas—build strong, committed audiences, providing the sound financial basis they needed to survive and flourish. His major tool was the promotion of subscriptions, a wide-ranging effort embodied in his book Subscribe Now! Building Arts Audiences through Dynamic Subscription Promotion.

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by giarts-ts-admin

2008, 49 pages. Bush Foundation, 332 Minnesota Street, Suite E-900, Saint Paul, MN, 55101, (651) 227-0891, www.bushfoundation.org

http://www.bushfoundation.org/publications/BushFellowsReport.pdf

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by giarts-ts-admin

Jaime Cortez was an arts and culture fellow at the San Francisco Foundation for two years. At the end of his fellowship, he and the other outgoing fellows were asked to read a prepared farewell statement to the board and staff of the foundation. Following is his closing presentation, given on July 9, 2008.

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by giarts-ts-admin

2008, 265 pages. Center for Cultural Innovation, 244 S. San Pedro Street, Suite 401, Los Angeles, CA, 90012, (213) 687-8577, www.cciarts.org

This resource guide is written for working artists across the U.S, providing information and advice for the "self-employed creative entrepreneur." Included are basic principles behind career and business planning, marketing and promotions, budgeting and money management, legal issues relevant to artists, and financing for creative work.

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