Dance

by giarts-ts-admin

November 2002, 36 pages. Center for an Urban Future, 212-479-3338, www.nycfuture.org

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by giarts-ts-admin

July 2003, 25 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 S. 19th Avenue, room 231, Minneapolis, MN 55455, (612) 625-8092

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   The Artistic Dividend (1.6Mb)

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by giarts-ts-admin

2002, 116 pages. Larson, Allen, Weishair & Co., LLP, Minneapolis, Minnesota. Distributed by LarsonAllen Public Service Group, (612) 397-3301 or (888) 529-2648, psg@larsonallen.com, Larson, Allen, Weishair & Co., LLP

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by giarts-ts-admin

"Without getting on a soapbox, I would say that dancing is as much a calling as it is anything else. Don't think of it as a career. You're stupid if you do. You've got to have something burning in your gut that you want to express."

— Bill T. Jones


“I don't want people who want to dance, I want people who have to dance.”

— George Balanchine

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by giarts-ts-admin

2003, 243 pages, $25.00, Simon & Schuster, business@simonandschuster.com

From stage to film, downtown to uptown, tap to post-modern to bravado ballet, crossing over has been a mark of choreographer Twyla Tharp's career. Likewise, her latest book spans multiple genres. Part workbook, part behind the scenes autobiography, part self-help manual, The Creative Habit has a single message: If you dream of living a creative life, get to work!

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by giarts-ts-admin

The Animating Democracy National Exchange on Art and Civic Dialogue
Flint, Michigan, October 9-12, 2003

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by giarts-ts-admin

2000, 47 pages. Council of Europe Publishing, Cultural Policies Research and Development Unit, (33) 03 88 41 25 81

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by giarts-ts-admin

2002, 71 pages. RMC Research Corporation in partnership with the Pew Charitable Trusts. Available through the Center for Arts and Culture, Suite 500, 819 Seventy St., N.W., Washington, DC 20001, 202-783-4498.

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by giarts-ts-admin

During the San Francisco Bay Area's economic boom of the late 1990s and 2000, rising real estate costs challenged its artists and destabilized a number of key arts organizations. The dance field was particularly hard-hit when two important studios containing teaching, performance, and rehearsal spaces closed.

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by giarts-ts-admin
This essay is based on a key note address given on Tuesday, October 29, 2002. The talk was preceded by a short media presentation that told the story of Angels in America in Charlotte through sound and images.
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