2014 Grantmakers in the Arts Conference

Grantmakers in the Arts is pleased to have a fantastic team of bloggers covering the 2014 Conference in Houston. Latoya Peterson, Barry Hessenius, and Sarah Lutman will all be posting their comments and reactions beginning Sunday, October 12. We hope you enjoy their observations and that you join the conversation.

by Sarah Lutman

I’m not certain but I think it has been 15 years since I attended a GIA conference. Much has changed since I was deeply involved in GIA, and for the better. The membership has grown in number and in the kinds of grantmakers who attend. In the early days there were very few public sector grantmakers, trustees, or smaller family foundations. The organization was a home base for staffed private, community, corporate, and family foundations, a place we could gather to share information and ideas. I’m sure fewer people felt like GIA was for them. Compared to GIA’s early years, last week’s conference was more diverse demographically, and courageous in the difficulty of topics brought forward for discussion.

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by Barry Hessenius

When I first got into this field, the dominant buzz was all about PARADIGM. Irrationally, I grew to hate that word. Over time our lexicon changes. Here is a summary of the GIA Conference in BUZZ WORDS (all of which I heard repeatedly during the three days).

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by Sarah Lutman

The staff of the John L. and James S. Knight Foundation offered a terrific session on Transmedia Narrative on Tuesday. Presenters were Eric Schoenborn, Creative Director at Knight, and Nicole Chipi, Arts Program Associate. In the three main parts of their presentation, they showed examples of narratives they consider well told; described their internal creative processes for telling Knight’s own stories and how they choose which media to use; and offered advice to other grantmakers for ways to work with grantees to tell their stories effectively and to get their stories out to more people.

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by Barry Hessenius

This day-long preconference was intended for newer program officers, trustees and foundation executives – but the reality was that the attendees were split between newbies and those who are recognizable names in the philanthropic community with long resumes. The combination of the two made the questions throughout the session very interesting and relevant.

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by Sarah Lutman

Susan Nelson of TDC gave us a healthy dose of her thought leadership in her GIA session with Olive Mosier of the William Penn Foundation. She presented — for the first time — the findings of a new report on Philadelphia cultural institutions that comes five years after the breakthrough study, Getting Beyond Breakeven: A Review of Capitalization Needs and Challenges of Philadelphia’s Arts and Culture Organizations. The 2009 study rocked the national philanthropic boat with its analysis of ways local grantmakers offered a robust but chaotic grants marketplace and showed that more than 70% of Philadelphia organizations had high financial literacy but weren’t able to apply it successfully to their operations. The report spurred both conversation and action across the U.S. and helped inform GIA’s own National Capitalization Project.

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by Latoya Peterson

Movement. Motion. Swag. The Tuesday Lunheon Plenary had a dance battle break (complete with Google Glass intro) when Dance Houston took the stage.

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by Barry Hessenius

I. Session: Funding Commercial Creative Businesses: Sell Out or Smart Strategy? The City of San Jose (CA), in partnership with the Center for Cultural Innovation, has started providing small “investment grants” to creative entrepreneurs with goals at the nexus of cultural and economic development. Basically this project is still in its infancy, as only two rounds of funding have been completed, and only a total of $40,000 has been awarded in total to 12 grantees, with the $40,000 third round coming up.

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by Latoya Peterson

Can a conversation about race be a performance? What does that simple framework shift do to the conversation? The answer: everything. The long table conversation is a fascinating thing to watch unfold. Participants come in and out as they please. There is snacking and scribbling, mostly on topic. Some people were determined watchers, setting up camp on the chairs on the far edge of the perimeter. And others eagerly queued up in the seats closest to the table, waiting for the moment they could tap someone on the shoulder, sending that performer out and putting themselves into the conversation.

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by Sarah Lutman

Days One and Two at the 2014 GIA conference in Houston have gone by quickly — jam packed days with sessions from early morning (8:00) through evening (9:00 or 10:00 + socializing) and almost no breaks. I have been Tweeting during several sessions @Lutman_Sarah and taking copious notes for future posts that will take some time to compose. So stay tuned.

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by Barry Hessenius

Day Two was long and full of sessions and content worth reporting on.  I have a very early flight, want to be thoughtful, and so I will be posting several blogs beginning tomorrow and through the weekend.  It was a very good conference and I feel fortunate to have been able to share it with so many smart people. Safe journeys home.

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