GIA Reader (2000-present)

GIA Reader (2000-present)

by giarts-ts-admin
This article, examining the ecology of funders’ use of intermediaries and regranting organizations, came about as a direct offshoot of GIA’s Research Initiative on Support for Individual Artists, begun in 2011. As the research team worked to map the pathways that support followed from funder to artist, a complex map of options and routes began to emerge, and intermediaries and regranters were often part of that picture. It became increasingly clear that this was an essential and important part of the overall system.
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by giarts-ts-admin

Arlene Goldbard. 2013, 185 pages, Waterlight Press

The Wave

Arlene Goldbard. 2013, 129 pages, Waterlight Press

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by giarts-ts-admin

Holly Sidford, Laura Lewis Mandeles, and Alan Rapp. 2013, 219 pages, Leveraging Investments in Creativity

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by giarts-ts-admin

Jennifer Wright Cook. 2013, 28 pages, The Field

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Edited by Mary Stone Hanley, George W. Noblit, Gilda L. Sheppard, and Thomas Barone. 2013, 258 pages, Routledge

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by giarts-ts-admin

Imagine what would happen…

If you started with a century-old, robust, and diverse arts and culture community…
added new grant funds for innovative, large-scale projects completed in teams…
and then invited area residents to participate in selecting the projects that would receive funds.

What would you get?

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by giarts-ts-admin

In 2010, Grantmakers in the Arts put capitalization on the national arts agenda by starting a conversation about what funders can do differently to address the chronic financial weakness undermining the vitality of the sector.

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by giarts-ts-admin

Download:

   Building a Resilient Sector (9.2Mb)

One does not discover new lands without consenting to lose sight of the shore.
— André Gide
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