GIA Blog

For the month of September, GIA’s photo banner features work supported by the Upper Manhattan Empowerment Zone Development Corporation (UMEZ).

Upstart Co-Lab released "The Guide: what cultural institutions need to know about investing for values and mission" as a primer on impact investing specifically for leaders of museums and other cultural institutions.

This post is part of the series, Future of the Field: Cross-Sector Creative Placemaking Series.

Start some place, where?
Engage some people, who?
Find sweet spots, what?
Use arts and culture, how?
Make change, why?
Start, when?

In a recent article, Next City tackled the concept of third places and "the importance of public space, separate from home or work, designed by and for Black people."

The National Coalition for Arts’ Preparedness & Emergency Response (NCAPER)'s Field Guide aims to "demystify federal disaster relief for the arts and culture sector; it aims to help artists and organizations see what’s available, understand clearly what isn’t available, and decide if pursuing federal aid is a good use of time."

This post is part of the series, Future of the Field: Cross-Sector Creative Placemaking Series.

The City of New York announced funding for a new cultural space to be built to serve as Pregones/Puerto Rican Traveling Theater’s headquarters. "With just over $3 million in new City funding added as part of this year's capital budget, the project is now fully funded with $10.2 million in City support," according to the press release.

Artists at Work, "a pilot that launched last summer in Western Massachusetts to pay artists a living wage — including healthcare — to collaborate with cultural organizations and local initiatives in creating work that responds to issues such as youth mental health, food justice and COVID awareness campaigns in marginalized communities," is the center of a recent article in Next City.

In an essay published by the National Endowment for the Arts, Eleanor Savage discussed how the pandemic "has highlighted and amplified technology’s central place in every aspect of our daily lives" and "the vital role of artists in the development and shaping of social and cultural tools and in world-building through technology."

"We have to find business structures that meaningfully place people first and upend the practice of concentrating decision-making power and money in the hands of administrative leadership while undercompensating and disenfranchising the majority of workers," wrote Arianna Gass and Daniel Park on a worker cooperative.