From Kathleen Massara at The Huffington Post:
The Central Utah Art Center (CUAC), one of the only nonprofit arts centers in the state of Utah, is facing eviction and serious funding cuts at an Ephraim city council meeting Wednesday night.
GIA Blog
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by Steve
A new session has been added to the 2012 Web Conference Series to discuss the new K-12 Arts Education Policy Agenda being worked on by the GIA Arts Education Funders Coalition (AEFC). GIA formed the AEFC in the spring of 2012 for funders concerned with arts education. One of the purposes of the group is to investigate ways to embed the arts into current federal education policy. Working with the Penn Hill Group, an education policy firm in Washington, DC, the coalition's Advisory Committee has created an agenda that encompasses several opportunities for arts education.
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From Elizabeth Day at The Guardian:
The statistics make for uncomfortable reading. Almost a third of visual and applied artists earn less than £5,000 a year from their creative work, according to a survey conducted last year by Artists' Interaction and Representation (AIR); 57% of the 1,457 respondents said that less than a quarter of their total income was generated by their art practices and only 16% of them paid into a private pension fund, raising questions about how professional artists will support themselves once they reach retirement age.
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From Joseph Stromberg at Smithsonian.com:
For the first four decades of competition, the Olympics awarded official medals for painting, sculpture, architecture, literature and music, alongside those for the athletic competitions. From 1912 to 1952, juries awarded a total of 151 medals to original works in the fine arts inspired by athletic endeavors. Now, on the eve of the 100th anniversary of the first artistic competition, even Olympics fanatics are unaware that arts, along with athletics, were a part of the modern Games nearly from the start.
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From Marianne Combs at Minnesota Public Radio:
This week President Obama announced his intent to nominate Ranee Ramaswamy to the National Council on the Arts. The NCA advises the Chairman of the National Endowment for the Arts (currently Rocco Landesman) on agency policies and programs.
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New research by the Center for Effective Philanthropy (CEP) shows that when it comes to social media, nonprofits aren’t closely following their foundation funders or their funders’ staff. “While foundations and their grantees are both using social media—Twitter, Facebook, YouTube, and blogs—the nonprofits simply are not following their funders,” said Ellie Buteau, vice president of research for CEP and co-author of the report.
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From Micheline Maynard at Forbes:
As the recession grew deeper, states across the country took aim at budgets for the arts. In Kansas, Gov. Sam Brownback used his line-item veto power to eliminate funding for the for the Kansas Arts Commission, making his state the first to eliminate arts money altogether. At the time, Brownback called the commission a luxury his state couldn’t afford. Now, Brownback has quietly changed course — but in a different guise.
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by Janet
What do you think the general public thinks these days when they hear the words “the arts?” Does it conjure up images of what they do on a daily basis: listening to music, watching television, singing in church choir, reading a book, attending the theatre? Or do most people think of an elite special interest group for people with money? I’m thinking about language again because it gets us into so much trouble.
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by Tommer
The University of Chicago Cultural Policy Center has published Set in Stone: Building America's New Generation of Arts Facilities, 1994-2008. This study of cultural building began in 2006 as a response to inquiries from arts consultants who had for some time been working on dozens of building projects across the country and found themselves confronting the same sets of problems with each new client.
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by Tommer
The Great River Shakespeare Festival (GRSF) in Winona, Minnesota has created an inventive capitalization instrument that will interest the broader field. The Festival’s “Legacy Bond Investment Program,” launched in September, 2011 is a state-approved investment offer for Festival patrons that provides GRSF with significant working capital.