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Lutman: Storytelling Is a Muscle
Posted on by Steve

The latest post from Sarah Lutman on the GIA 2014 Conference blog:

The staff of the John L. and James S. Knight Foundation offered a terrific session on Transmedia Narrative on Tuesday. Presenters were Eric Schoenborn, Creative Director at Knight, and Nicole Chipi, Arts Program Associate. In the three main parts of their presentation, they showed examples of narratives they consider well told; described their internal creative processes for telling Knight’s own stories and how they choose which media to use; and offered advice to other grantmakers for ways to work with grantees to tell their stories effectively and to get their stories out to more people.
The Unique Practice of Arts Grantmaking: a GIA Preconference
Posted on by Steve

Barry Hessenius covers the GIA preconference, held on Sunday, October 12 in Houston:

This all day session was intended for newer program officers, trustees and foundation executives — but the reality was that the attendees were split between newbies and those who are recognizable names in the philanthropic community with long resumes. The combination of the two made the questions throughout the session very interesting and relevant.
First, do no harm? Sarah Lutman on Capitalization Session from Houston
Posted on by Steve

The latest post from Sarah Lutman on the GIA 2014 Conference blog is her report from the session Getting Beyond Breakeven 2.0:

Susan Nelson of TDC gave us a healthy dose of her thought leadership in her GIA session with Olive Mosier of the William Penn Foundation. She presented — for the first time — the findings of a new report on Philadelphia cultural institutions that comes five years after the breakthrough study, Getting Beyond Breakeven: A Review of Capitalization Needs and Challenges of Philadelphia’s Arts and Culture Organizations.
Artists Rejoice! Tax Court Concludes Painter's Activity Isn't A 'Hobby'
Posted on by Steve

From Tony Nitti, writing for Forbes:

It has to suck to make your living as an artist. For starters, you have to be able to sculpt, draw, or paint things that, you know… look like things. But even if you can, you know damn well that when you tell someone at a dinner party that you’re an “artist,” they’ll smugly assume that’s just a pleasant euphemism for “unemployed trust fund baby.” And on the off chance that all your creativity and hard work pays off and you have a piece prominently displayed in a gallery or museum, you’ll have to repeatedly deal with a boorish lout like me eyeing up your magnum opus and dismissively professing, “I don’t get it.”
Boston Launches Cultural Planning Process
Posted on by Steve

From Joel Brown at The Boston Globe:

Mayor Martin J. Walsh’s administration is preparing the canvas for an 18-month citywide “cultural planning process” to put the arts at the heart of the city’s future for at least the next decade, for artists, residents, and visitors alike. Under incoming Boston chief of arts and culture Julie Burros, the process can consider anything from festivals to public art, and from easier permitting for neighborhood arts events to affordable housing for artists who might otherwise move somewhere else to work. Everything is on the table.
SNAAP Updates Research on Arts Alumni
Posted on by Steve

A study released by the Strategic National Arts Alumni Project shows that America’s most recent arts graduates are using skills learned in school combined with internship experiences to find work, forge careers and engage their communities, despite higher student debt levels than older alumni. The report, “Making It Work: The Education and Employment of Recent Arts Graduates,” analyzes data from more than 88,000 arts alumni of all ages, with a particular focus on the 17,000 recent alumni — those who finished their undergraduate or graduate level degrees up to five years prior. Arts alumni participating in the study attended 140 degree-granting institutions in 41 states and the District of Columbia.

Bloomberg Philanthropies Launches Public Art Challenge
Posted on by Steve

Bloomberg Philanthropies is launching a new program to support temporary public art projects that engage communities, enhance creativity and enrich the vibrancy of cities. Bloomberg Philanthropies is inviting mayors in cities with 30,000 residents or more to submit proposals for innovative temporary public art projects that demonstrate close collaboration between artists, or arts organizations and city government. At least three cities will be selected to receive up to $1 million each over two years.

Native American Educational Series in Philanthropy Webinar: Maximizing Return on Your Investment
Posted on by Steve

The third session in a four-part Native American Educational Series from Philanthropy Southwest will explore the interplay of policy, philanthropy and the Native American and Alaska Native communities. Maximizing the Return on Your Investment will take place Tuesday, October 21, 2014 at 2:30 pm (EST)/11:30 (PST), and is presented by Native Americans in Philanthropy in partnership with Casey Family Programs, Center for Native American Youth, Philanthropy Northwest and Philanthropy Southwest.

Barry Hessenius: Day Two of Houston Conference
Posted on by Steve

Barry Hessenius posts his observations from the GIA Conference:

Roberto Bedoya (Executive Director Tucson Pima Arts Council) and Rick Lowe (Founder Project Row Houses, Houston, and 2014 MacArthur Fellow) are two very highly articulate leaders in the conversations – within and without our sector – on issues of diversity, equity, race, color and the arts (among other conversations). They have both been around long enough to know what they are talking about, and they both offer comments that are incisive, yet intended to educate and inform rather than accuse or corner.
Racial Conversation as Long Table Performance
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Conference blogger Latoya Peterson turns in her first set of observations from Houston:

Can a conversation about race be a performance? What does that simple framework shift do to the conversation? The answer: everything. The long table conversation is a fascinating thing to watch unfold. Participants come in and out as they please. There is snacking and scribbling, mostly on topic. Some people were determined watchers, setting up camp on the chairs on the far edge of the perimeter. And others eagerly queued up in the seats closest to the table, waiting for the moment they could tap someone on the shoulder, sending that performer out and putting themselves into the conversation.