Legal and regulatory

2002, 60 pages. American Assembly, 475 Riverside Drive, Suite 456, New York, NY 10115, 212-870-3500, amassembly@columbia.edu

Art, Technology, & Intellectual Property provides an excellent summary of intellectual property questions faced by the arts community, both nonprofit and for-profit.

Media is pervasive and influences the culture in myriad ways. Technological advances and structural transformations are profoundly changing the way we receive and distribute information, as well as the quality of that information and whether or not we are able to interact with it. Legislative, legal, and regulatory policies that favor corporate interests over the public interest have created an environment where a dwindling number of corporations which control both the content and the means of distribution dominate the market.

In the fall 2001, the Center for Arts and Culture, an independent Washington, D.C.-based think tank on cultural policy, began distributing two series of publications. One consists of commissioned papers, part of the Center's Art, Culture and the National Agenda project. The other documents discussion forums convened by the Center. Publications in both series are small-format booklets. Several landed on our desks in quick succession last fall, but production now seems to be moving at a slower pace, allowing us to keep track of each one a little more easily.

Arts in Education

This issue introduced "From Washington," a new column contributed by Shelley Feist, associate, National Culture Program, The Pew Charitable Trusts. The column provides readers with information on policy and regulatory matters at the federal level affecting nonprofit arts and culture. The aim is to present brief reports on timely but underreported items.

A growing chorus of complaint has emerged about foundation giving in recent years. According to critics, foundations do not distribute enough in grant payments to justify their privileged position. On average, foundations pay out about 5.5 percent of their total assets each year and many critics believe that is just not enough.