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Arts Funding Snapshot: GIA’s Annual Research on Support for Arts and Culture (3Mb)
July 2014, 46 pages. Ingenuity, 11 E. Hubbard, Suite 200, Chicago, Illinois, 60611. (312) 583-7459. http://www.ingenuity-inc.org.
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Read More...Marco Sanchez was in the third grade in 2010 when the San Diego Youth Symphony and Conservatory (SDYS) launched the Community Opus Project in Chula Vista Elementary School District (CVESD). Participating in the after-school El Sistema–inspired music program, Marco went home from his Community Opus sessions two days a week and taught his younger brother Rodrigo what he was learning in class. This was not unusual for a Community Opus student, who has been immersed in a program that encourages peer teaching as a cornerstone of its pedagogy.
Read More...February 2014, pages. Tucson Pima Arts Council, The Pioneer Building, 100 N. Stone Avenue, Suite 303, Tucson, AZ 85701, (520) 624-0595, www.tucsonpimaartscouncil.org
Read More...At the GIA 2012 Conference in Miami, the Individual Artists Support Committee hosted a breakfast roundtable conversation to ask funders what they would like our committee to work on throughout the year.
One of the suggestions that rose to the top of the list at that roundtable was that we work to develop a set of resources representing a variety of models of artist awards/grants selection processes. We thought this was a terrific idea, and we quickly organized a subcommittee of diverse funders to create documents that offer a behind-the-scenes look at how our programs work.
Read More...About four years ago I attended an extraordinary meeting in Philadelphia. Susan Nelson, principal of Technical Development Corporation (TDC), was presenting the draft of Getting Beyond Breakeven to the Greater Philadelphia Cultural Alliance and many other stakeholders associated with the work.
Read More...Rocco Landesman spoke for the first time in the role of the tenth chairman of the National Endowment for the Arts at the 2009 GIA conference, Navigating the Art of Change. The Brooklyn convening was subtitled “The Recession Conference,” which Landesman, stating the obvious, translated as “the news is bad.” Nonetheless, he urged us to be optimistic. “Art is the most optimistic of activities.… There is grandeur in art. There is boldness. There is even, to use a very loaded word, the possibility for change, and we mortals need that.”
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