Individual Donor

Individual Donor

by giarts-ts-admin

A labor of love for individuals committed to the significance and potential of media, Why FUND Media is a timely and worthy follow-up to a 1984 publication by the Council on Foundations titled How to Fund Media. Editor Karen Hirsch seamlessly brings together a series of separate chapters written by media arts experts who've based their chapter essays on extensive consultations with field representatives and grantmakers, and on historical research.

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by giarts-ts-admin

I. Me, You, and Us: The Rise of Something New

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by giarts-ts-admin
Some things are very dear to me —
Such thing as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain . . . .
The iridescence of a gem,
The moon's cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.

— African American poet Gwendolyn Bennett, “Sonnet II” 1

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by giarts-ts-admin
This essay is based on a key note address given on Tuesday, October 29, 2002. The talk was preceded by a short media presentation that told the story of Angels in America in Charlotte through sound and images.
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by giarts-ts-admin
This paper is a transcript of a key note address given on Monday, October 28, 2002. The talk was organized around a series of projected slide images that gave added dimension to Yeh's words.

Conference Introduction
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by giarts-ts-admin

The following essay was jointly commissioned by Grantmakers in the Arts for its 2002 annual conference and by the Funders' Network for Smart Growth and Livable Communities as one in its series of Translation Papers.

Introduction

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by giarts-ts-admin

Bimonthly, 40 pages per issue. Heldref Publications, 1319 18th Street, N.W., Washington DC 20036-1802. Subscriptions: 1-800-365-9753, $47 individuals, $89 institutions

Reviewed here: Volume 103, Number 6; Volume 104, Numbers 1 and 2 (July/August, September/October, & November/December 2002)

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by giarts-ts-admin

Two related sessions at grantmaking conferences last fall addressed important questions concerning the relationship of art, culture, and the environment. In each case, funders sought practical information about creative collaboration and successful cross-sector funding. Whether labeled "arts" or "environment" funders, grantmakers craved creative ways to attract new partners — both individuals and organizations — to their work.

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by giarts-ts-admin

2002, 30 pages, Cultural Initiatives Silicon Valley. To order a copy, contact Brendan Rawson, brendan@ci-sv.org or 408-283-8506

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