Family Foundation

2004, 176 pages. The Urban Institute, 2100 M Street NW, Washington, DC, 20037, 202-833-7200, www.urban.org

Download pdf: http://www.urban.org/publications/411067.html

2004. Centre for Creative Communities, 118 Commercial St., London E16NF, UK.

2004, 42 pages. Marwen, 833 North Orleans St., Chicago, IL, 60610, 312-944-2418, www.marwen.org

Anyone who works (or lives) in the circle of adolescents can appreciate the complexity of developing effective arts programs for teens. Fuel documents the essential characteristics of one such program at Marwen, a Chicago cultural organization that provides high-quality visual arts instruction, college planning, and career development to young people (grades six to twelve) free of charge during out of school time.

2004, 16 pages. Published by the John S. and James L. Knight Foundation, 200 South Biscayne Boulevard, Suite 3300. Miami, FL, 33131-2349. 305-908-2600.

Download pdf: www.knightfoundation.org/dotAsset/221200.pdf

A recent addition to a series of briefs that discuss practices and changes in symphony orchestras examine the social context of orchestra marketing and trends in program-based marketing, respectively. The entire series of briefs is available on the foundation's web site.

2004, 20 pages. Published by the John S. and James L. Knight Foundation, 200 South Biscayne Boulevard, Suite 3300. Miami, FL, 33131-2349. 305-908-2600.

Download pdf: http://www.knightfoundation.org/dotAsset/221173.pdf

2004, 58 pages. Alliance for Justice, www.allianceforjustice.org, 202-822-6070

Download Report: http://www.afj.org/for-nonprofits-foundations/resources-and-publications/pay-for-publications/investing-in-change-1.html

Recent decades have seen rapid immigration into traditional gateway cities as well as rural and suburban communities throughout the United States. Craig McGarvey's thoughtful Pursuing Democracy's Promise speaks to the importance of new United States residents' fully participating in civic life alongside the native born.

To California's great Central Valley they have come from the highlands of Oaxaca, the cities of eastern Pakistan, the relocation camps of Thailand—political refugees and new immigrants from around the world aspiring to build a future for their children, grands, and greats.

For three days in October these new U.S. Americans gathered in Fresno's Tower District for their second Tamejavi Festival. Everyone was welcome; the historic Tower Theatre's marquis proclaimed, “Tamejavi: It's Still Free.”

Early in 2004, the Graduate Center of the City of New York convened ten small to mid-sized arts organizations to talk about what had happened to them in an experimental, internet-based project funded by the Ford Foundation. The ten, from across the country, are community-based cultural organizations; they share a commitment to emerging and experimental artists and art forms, and a commitment—equally firm—to their local or nearby communities. Despite their similarities of mission, the ten were not familiar with each other's work.

On December 2 and 3, 2004 the University of Chicago's Cultural Policy Center held a conference on “The Future of Public Television” at the Museum of Contemporary Art in downtown Chicago. The Center convened a star-studded series of presenters and key speakers to illuminate the current condition of public television and to make some predictions about its future. The speakers and panelists included Kathleen Cox, president and CEO, Corporation for Public Broadcasting (CPB); Pat Mitchell, president and CEO, Public Broadcasting System (PBS); Kenneth P.