Family Foundation

Family Foundation

by giarts-ts-admin

Center for Social Innovation, Stanford Graduate School of Business, Stanford University, 518 Memorial Way, Stanford, CA 94305

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2006, 30 pages. Grantmakers Concerned with Immigrants and Refugees, P.O. Box 1100, Sebastopol, CA, 95473, 707-824-4374, www.gcir.org

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2006, 254 pages. Indiana University Press, 601 North Morton Street, Bloomington, IN 47404, iupress.indiana.edu

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by giarts-ts-admin

2007, 102 pages. RAND Corporation, 1776 Main Street, P.O. Box 2138, Santa Monica, CA 90407, 310-451-7002, www.rand.org

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by giarts-ts-admin
Our Taos Journey essays depart by looking back at philanthropy's recent past. As the field has become more formalized as a profession, it also has attracted exposés and critiques. Many have called for greater accountability, transparency, and proof of effectiveness. While the critique is worthy and perhaps overdue, historian, philanthropist, and former GIA board member James Allen Smith calls for a deeper, shared understanding of professionalism.
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2007, Americans for the Arts, 1000 Vermont Avenue, NW, 6th Floor, Washington, DC 20005, 202-371-2830, www.americansforthearts.org

Download pdf: www.artsusa.org

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by giarts-ts-admin
Another project underway for historian Jim Smith, author of the preceding “A Profession of Philanthropy,” is a new piece, commissioned by the Aspen Institute, that examines the ways that foundation giving to arts and culture is fundamentally different from giving to other fields. We coaxed Jim to contribute a brief preview of this line of inquiry. Excerpts from this nascent work in progress have been woven together by Jim and Anne Focke into this brief, provocative piece.
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2007, 24 pages. National Committee for Responsive Philanthropy, 2001 S Street NW, Suite 620, Washington, D.C. 20009, 202-387-9177, www.ncrp.org

Download pdf: www.ncrp.org

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by giarts-ts-admin
As we were recruiting writers for this issue of the Reader, we learned that John Rockwell was retiring from his position as arts critic for The New York Times. It was all too tempting to ask Rockwell to reflect on the arts as he has chronicled them through his career. His response was to address the relationship between culture and class—both in history and in the present—raising questions about patronage and access, and the differences across classes in the kinds of art that are supported and accepted.
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by giarts-ts-admin

2007, 54 pages. FSG Social Impact Advisors, 20 Park Plaza, Suite 320, Boston, MA 02116, 617-357-4000

Download pdf: www.fsg-impact.org

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