Community Foundation

Community Foundation

by giarts-ts-admin

July 2003, 25 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 S. 19th Avenue, room 231, Minneapolis, MN 55455, (612) 625-8092

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   The Artistic Dividend (1.6Mb)

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by giarts-ts-admin

April 2002, 47 pages. Supported by the Doris Duke Charitable Foundation, the Association of Performing Arts Presenters, and the Urban Institute. (Research conducted by the Center on Nonprofits and Philanthropy at the Urban Institute with assistance from the Center for Survey Research at Ohio State University and the Center for Survey Research at Indiana University, Bloomington.) 202-833-7200, paffairs@ui.urban.org

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by giarts-ts-admin

May 2003, 272 pages. Southern Illinois University Press, Robert A. Shanke, Theater in America Series, editor, 800-346-2680 or 618-453-2281, www.siu.edu/~siupress

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by giarts-ts-admin

2003, 86 pages. $40 nonmembers; 1 copy free with membership. Association of Small Foundations, www.smallfoundations.org

Do you want to start a foundation? Full of practical advice, The New Foundation Guidebook is a good place to start. This book concisely describes how to establish and operate a foundation by adapting articles from pertinent experts. It is easy to skim as essential points are highlighted with bullet points.

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by giarts-ts-admin

2002, 116 pages. Larson, Allen, Weishair & Co., LLP, Minneapolis, Minnesota. Distributed by LarsonAllen Public Service Group, (612) 397-3301 or (888) 529-2648, psg@larsonallen.com, Larson, Allen, Weishair & Co., LLP

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by giarts-ts-admin

"Without getting on a soapbox, I would say that dancing is as much a calling as it is anything else. Don't think of it as a career. You're stupid if you do. You've got to have something burning in your gut that you want to express."

— Bill T. Jones


“I don't want people who want to dance, I want people who have to dance.”

— George Balanchine

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Ensembles are marked by a sustained commitment to collaboration..... The ensemble process allows for the development of a distinctive artistic vision and language unique to all artists involved.

— excerpt from the Flintridge Foundation theater mission
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This essay is based on a key note address given on Tuesday, October 29, 2002. The talk was preceded by a short media presentation that told the story of Angels in America in Charlotte through sound and images.
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by giarts-ts-admin

Bimonthly, 40 pages per issue. Heldref Publications, 1319 18th Street, N.W., Washington DC 20036-1802. Subscriptions: 1-800-365-9753, $47 individuals, $89 institutions

Reviewed here: Volume 103, Number 6; Volume 104, Numbers 1 and 2 (July/August, September/October, & November/December 2002)

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by giarts-ts-admin
This paper is a transcript of a key note address given on Monday, October 28, 2002. The talk was organized around a series of projected slide images that gave added dimension to Yeh's words.

Conference Introduction
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