Visual arts

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Catherine Maciariello
This panel intends to examine the purpose and value of what we do from the personal, institutional, and public perspective. We ask your indulgence and ask you to fly with us at 35,000 feet. We are talking about relationships, multiple meanings, and civic dialogue that enable an exchange of ideas that elevate and enrich both art-making and civic life.

Alternate ROOTS is a coalition of artists and cultural workers in the Southeastern USA; addressing racism and other oppressions has been integral to our mission for a long time. At our 2004 Annual Meeting this past August a panel of ROOTS' founding members discussed the function of ROOTS as a cultural continuation of the civil rights movement - beginning with our founding at the legendary Highlander Center in New Market, Tennessee.

2002, 100 pages. The Marie Walsh Sharpe Art Foundation and the Judith Rothschild Foundation, 830 North Tejon St., Suite 120, Colorado Springs, CO 80903, (719) 635-3220, www.sharpeartfdn.org

2004, 38 pages. New York State Artist Workspace Consortium, kerry@mccarthyartsconsulting.com, www.nysawc.org

March 2004, 27 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 19th Avenue, Room 231, Minneapolis, MN 55455, (612) 625-8092, amarkusen@hhh.umn.edu or gshrock@hhh.umn.edu or mcameron@hhh.umn.edu, www.hhh.umn.edu

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The Broad Art Foundation, based in Santa Monica, California, was founded by philanthropists Edythe and Eli Broad in 1984 to encourage and strengthen a greater public appreciation of contemporary visual art. Under the leadership of director and curator Joanne Heyler, the foundation operates as an educational and lending source for the nearly 800 art works in its collection, rather than as a standard grantmaking program.

What roles will arts and cultural organizations and funders play in the November 2004 election?

Through the ages artists with disabilities have been important to our history and culture. Beethoven was deaf, Van Gogh was mentally ill, El Greco was visually impaired. For the most part we do not associate them with their disability. We celebrate their lives for the gifts of music and art that they left in our midst.

2003, 15 pages. Americans for the Arts, 1000 Vermont Avenue NW, 6th floor, Washington, DC 20005, 202-371-2830, info@artsusa.org, www.americansforthearts.org