Visual arts

by Steve

2010, 48 pages, The Urban Institute, 2100 M Street NW, Washington, D.C., 20037, (202) 833-7200 http://www.urban.org

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   The Diversity of Cultural Participation: Findings from a National Survey (299Kb)

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by Steve

"While arts organizations are skilled at devising creative ways to pursue audience engagement, choosing the right strategy for the right circumstances can be guesswork," writes Michael Moore, director of the The Wallace Foundation's arts program.

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by Steve

This landmark RAND study offers arts providers a methodical way to avoid hit-and-miss audience-building efforts that waste scarce resources and arrive instead at more clear-headed, effective strategies.

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by Steve

We may go to the opera, live theater, or the symphony, but we don't stop to really think about how much these performances can mean to our daily lives and to our communities. Those performing arts organizations have been concentrating on this issue for years.

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by Steve

2010, 72 pages, The Urban Institute, 2100 M Street NW, Washington, D.C., 20037, (202) 833-7200 http://www.urban.org

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   Reggae to Rachmaninoff (397Kb)

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by Steve

Arts Wisconsin, the Wisconsin Arts Board, and Americans for the Arts are happy to announce the republication of the landmark 1969 book, The Arts in the Small Community, by Maryo Gard Ewell and Michael F. Warlum. The new guide stays true to its original roots and mission set forth by Wisconsin's community arts pioneer Robert Gard, but has been thoroughly updated to address contemporary examples in the realm of community arts.

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by Steve

This book offers insight into how to establish the arts in schools and use them as a vehicle for school renewal at the same time. The author makes a convincing case for the important role of visual arts, music, dance, drama, and architecture in educating our youth.

284 pp, paperback (1990, Americans for the Arts)

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by Steve

This timeless resource helps identify and define the philosophical foundations and practice principles of community arts development. It captures and shares the creative and pioneering efforts that drive the movement and provides insight and expertise for people working in rural and small communities.

135pp, paperback (1992, Center for Community and Cultural Studies, Columbia College)

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by giarts-ts-admin
Bill Ivey chaired the National Endowment for the Arts from 1998 through 2001, directed the Country Music Foundation from 1971 to 1998, and was twice elected chairman of the National Academy of Recording Arts and Sciences. He presently serves as founding director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University.
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by giarts-ts-admin
Claudine Brown wants us to shore ourselves up with knowledge and examples of how much arts and culture are linked to everything we do. With this in mind, she offers us her own kit bag of reasons for sustaining arts and culture programs—and it's a big bag.
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