Traditional / Folk arts

The Place of the Arts in Multi-focus Foundations

April 30, 2009 by giarts-ts-admin

When presidents and CEOs of foundations try to balance a range of equally justifiable social agendas, where are the arts? Sponsored by GIA, six foundation leaders spent a day and a half together discussing just this topic in the summer of 2008. The relevance of their conversation and the preliminary conclusions they drew are perhaps even more urgent today than they were then, as foundations face increasingly serious questions of priority.

What Is Civil Society?

April 30, 2009 by giarts-ts-admin

In The Place of the Arts in Multi-focus Foundations, Bruce Sievers writes that the rationale for supporting both the arts and the nonprofit sector as a whole is integrally linked to their capacity to advance pluralism, promote voluntary action, accommodate diversity, and champion individual visions of the public good. “Civil society,” Sievers notes, is increasingly the accepted concept to describe this sphere of social action.

April 30, 2009 by giarts-ts-admin

As we, individually or collectively, set out to make a case for the many ways the arts have relevance in today's world of economic turmoil and change, it's helpful to be clear what we mean by terms like “art,” “culture,” and “industry” and also to understand what the same terms might mean to others. The words we use are telling. Their use has a history that says much about where the work we call “art” resides in our collective lives from one period to the next.

April 30, 2009 by giarts-ts-admin

The following piece is excerpted from the second of a two-part article written for the Community Arts Network, “The New New Deal.” Part one, published in December 2008, was titled, “the New New Deal: Public Service Jobs for Artists.” It described some of the things artists could do with public-service jobs. This excerpt is from part two, published February 24, 2009, “A New WPA for Artists: How and Why.” In this excerpt, Goldbard takes up the question of “why,” what are all the good reasons to support a new WPA for artists.

Artist Space Development: Financing

April 30, 2009 by giarts-ts-admin

2007, 114 pages. Urban Institute, 2100 M Street NW, Washington, D.C., 20037, 202-833-7200, www.urban.org

http://www.urban.org/UploadedPDF/1001175_asd_financing.pdf

April 30, 2009 by giarts-ts-admin

2007, 56 pages. Urban Institute, 2100 M Street NW, Washington, D.C., 20037, 202-833-7200, www.urban.org

http://www.urban.org/UploadedPDF/1001176_asd_case.pdf

Artists Count

September 30, 2008 by giarts-ts-admin

2007, 44 pages. Minnesota Citizens for the Arts, 2233 University Avenue West, Suite 355, St. Paul, Minnesota, 55144, (651) 251-0868, www.mncitizensforthearts.org

http://mncitizensforthearts.org/wp-content/uploads/2008/03/interioronlyfinal.pdf

The Arts and Workforce Development

September 30, 2008 by giarts-ts-admin

2007, 16 pages. Americans for the Arts, 1000 Vermont Avenue, NW, 6th Floor, Washington, D.C., 20005, (202) 371-2830, www.artsusa.org

September 30, 2008 by giarts-ts-admin

2008, 49 pages. Bush Foundation, 332 Minnesota Street, Suite E-900, Saint Paul, MN, 55101, (651) 227-0891, www.bushfoundation.org

http://www.bushfoundation.org/publications/BushFellowsReport.pdf

Business of Art

September 30, 2008 by giarts-ts-admin

2008, 265 pages. Center for Cultural Innovation, 244 S. San Pedro Street, Suite 401, Los Angeles, CA, 90012, (213) 687-8577, www.cciarts.org

This resource guide is written for working artists across the U.S, providing information and advice for the "self-employed creative entrepreneur." Included are basic principles behind career and business planning, marketing and promotions, budgeting and money management, legal issues relevant to artists, and financing for creative work.