Music

A Report on the Ford Foundation Initiative
Edited by Mindy Levine

1999, 64 pages. Developed by New England Foundation for the Arts, edited and published by Arts International, ISBN 0-9676467-0-7, 212-674-9744

Executive Summary and Report
Based on interviews by Morrie Warshawski and Dinah Zeiger
Contributors to preparation and editing: Sonja K. Foss, Krista Lewis, Glynis Jones, Daniel Buehler, and Daisy Whitney

1999, 54 pages; Western States Arts Federation (WESTAF), Denver, Colorado, 303-629-1166.

The so-called new economy, driven by an explosion in technological innovation and new communication tools, has especially affected California's San Francisco Bay Area, where web-based start-ups are overabundant and everything seems to be preceded by an "e". Perhaps because of their innovative nature, technology firms often locate offices in marginalized neighborhoods or abandoned industrial zones. At first this trend seemed to revitalize former nadirs of economic activity with new neighborhood restaurants, cafés, and other service-oriented businesses.

The Philadelphia arts sector has been a hotbed of activity recently, on both a political and civic level, with some exciting developments underway as well as some new challenges. Last November, the city elected a new mayor — John F. Street, former city council president during the Rendell administration. Philadelphians had enjoyed broad support of the arts from former Mayor Edward Rendell, who was especially tuned into its economic impact. Mr.

Attending arts events is exhilarating, inspiring, and full of meaning. For years I've wished more people could have that experience. Why don't more people enjoy and appreciate the work that means so much to me? It's not just those who have different values, but people who are similar, with the same educational and demographic attributes — even members of my own family. If I can't convince them to become active participants, who can I convince?

1999, 316 pages, $22.50 (softcover); New York University Press, New York and London

1999, 40 pages, $15; National Performance Network, San Francisco, California, 415-666-1870, info@npnweb.org

1998, 80 pages; Association of Performing Arts Presenters, 1112 16th Street N.W., Suite 400, Washington, D.C. 20036.

This attractive handbook presents a study of documentation methods from The Arts Partners Program, an audience development initiative sponsored by the Lila Wallace-Reader's Digest Fund. The initiative funded performing artists' residencies during which presenting organizations used a variety of strategies to engage audiences with the resident artists' work.

1998, 344 pages, $18; Critical Press, Gunk Foundation, New York.

It's January 26, 2000 and two sisters greeted each other happily at Elko, Nevada's small airport. Waiting at the baggage claim, they schemed about doing things they wanted to do together, and not giving in to their mother who had plans for a family snow outing. "I moved west to get away from all that snow," one said. "Well one thing for sure," her sister answered, "We'll want to get away. Those cowboy poets are in town and they're everywhere."