Cross-disciplinary arts
Alternate ROOTS is a coalition of artists and cultural workers in the Southeastern USA; addressing racism and other oppressions has been integral to our mission for a long time. At our 2004 Annual Meeting this past August a panel of ROOTS' founding members discussed the function of ROOTS as a cultural continuation of the civil rights movement - beginning with our founding at the legendary Highlander Center in New Market, Tennessee.
Read More...2004, 34 pages. Published by Arts Education Partnership, One Massachusetts Avenue, NW, Suite 700, Washington, DC, 20001-1431, http://www.aep-arts.org
Download pdf: http://aep-arts.org/files/publications/OpportunitiesResearch.pdf
July 2004, 76 pages. Published by Art in the Public Interest, P.O. Box 68, Saxapahaw, NC, 27340, 336-376-8404, info@communityarts.net, www.communityarts.net
Download Report: www.communityarts.net/readingroom/archivefiles/2004/08/can_report_the.php
2004, 11 pages. Published by Americans for the Arts, 1000 Vermont Avenue NW, 6th floor, Washington, DC, 20005, 202-371-2830, info@artsusa.org, www.AmericansForTheArts.org
This monograph provides descriptions and examples of a range of local tax and revenue generating mechanisms that can be used to restore, sustain and increase public support for the arts.
Read More...2003, 15 pages. Americans for the Arts, 1000 Vermont Avenue NW, 6th floor, Washington, DC 20005, 202-371-2830, info@artsusa.org, www.americansforthearts.org
Read More...March 2004, 27 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 19th Avenue, Room 231, Minneapolis, MN 55455, (612) 625-8092, amarkusen@hhh.umn.edu or gshrock@hhh.umn.edu or mcameron@hhh.umn.edu, www.hhh.umn.edu
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Read More...What roles will arts and cultural organizations and funders play in the November 2004 election?
Read More...Through the ages artists with disabilities have been important to our history and culture. Beethoven was deaf, Van Gogh was mentally ill, El Greco was visually impaired. For the most part we do not associate them with their disability. We celebrate their lives for the gifts of music and art that they left in our midst.
Read More...2003, 15 pages. The Urban Institute/Wallace Foundation, www.wallacefoundation.org or www.urban.org
Many grantmakers express a heightened interest in learning more about cultural participation. Research about who participates, what motivates people to participate and the barriers to participation provides valuable data to cultural organizations and funders seeking to broaden, deepen, and diversify audiences for these offerings.
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