GIA Reader, Vol 31, No 2 (Summer 2020)

GIA Reader, Vol 31, No 2 (Summer 2020)

On the Cover
Tijay Mohammed, We the people: matter most (2016), Fabric, 55"x 40"

Ghanaian-born artist Tijay Mohammed has exhibited his work nationally and internationally and has centered his work in New York around community-based practices. He currently resides in The Bronx.

Contents of GIA Reader, Vol 31, No 2 (Summer 2020)

Special Section

Relationship of Data and Funder Practice: Supporting Individual Artists with an Equity Lens
by
by GIA Support for Individual Artists Committee

Readings

To a Resilient New York: Notes from Quarantine
by
Timothy DuWhite, Ashley August, Ramya Ramana, Nicole Wallace, Marwa Helal, Jan-Henry Gray, Tanaïs, Tarfia Faizullah, Shayok Misha Chowdhury, Sonia Guiñansaca, Alan Paez, Ra Malika Imhotep, Jen Lue, Yanyi, JinJin Xu, Eli Clare, Nimo J. Ali, Shannon Finnegan, Pelenakeke Brown
Mítákuye Oyás’in: Our Approach to “Taking Back Tribalism”
by
Lori Pourier
Obligations 2 (poem)
by
Layli Long Soldier
Creating Racial Equity in New York City’s Most Segregated Borough
by
Elizabeth Bennett
Supporting Southwest-Based Latine Dancemakers: Reflections on Dance in the Desert 2019
by
J. Soto
NCAPER Recommended Principles for Arts Funding in the COVID-19 Crisis and Other Crises
by
Amy Schwartzman, Ted Berger, Kay Takeda, Tom Clareson, Ruby Lopez Harper
Migration (poem)
by
Jenny George
Indigenous Mobilization During Pandemic Times
by
Gaby Strong, Sarah Manning
A Pandemic, a Movement, and an Agenda for Change
by
Sharnita C. Johnson, Randy Engstrom
Embedded Art and Culture Is Essential to Our Healing
by
Ariana Faye Allensworth, Terra Graziani
A New Standard for Arts and Culture Organizations Advancing Community Revitalization
by
Kim Zeuli, Seth Beattie
Grass Growing through Concrete: Identifying Assets, Needs, and Funding Opportunities for Small Arts Organizations
by
by Naturally Occurring Cultural Districts NY (NOCD-NY)
Contending for Dream Space: Why Cultural Strategy?
by
by Intelligent Mischief