Grantmakers in the Arts

by Abigail

This month's GIA website slide show of member-supported projects was provided by our colleagues at ArtsWave in Cincinnati. Founded in 1927 as the Cincinnati institute of Fine Arts, the organization has evolved several times in response to changing economic and cultural conditions. Today, through advocacy, partnerships, and grantmaking, ArtsWave acheives its mission of acting as a leader in advancing the vitality of Greater Cincinnati by mobilizing the creative energy of the entire community.

by Steve

The National Endowment for the Arts will host Improving Arts Learning through Standards & Assessment: A National Endowment for the Arts Research Roundtable, a webcast and roundtable discussion, on Tuesday, February 14, 2012 beginning at 8:30AM and running to 3:00PM EST. No pre-registration is necessary. To view the webcast simply log on to the NEA’s website at the scheduled date and time.

by Steve

From Glenn Peoples at Billboard:

The first results of the Future of Music Coalition's Artist Revenue Stream project show the average musician gets more from fans and grants than merchandise and corporate sponsorships. The cross-genre research project collected data on over 5,000 US-based musicians and composers.

by Steve

ArtsJournal.com has a rich discussion underway with many contributors. The question being considered is this:

Increasingly, audiences have more visibility for their opinions about the culture they consume. Cultural institutions know more and more about their audiences and their wants. Some suggest this new transparency argues for a different relationship between artists and audience. So the question: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?

by Steve

Matt Chaban at The New York Observer takes another look at how artists affect gentrification of neighborhoods:

Everybody knows the old saw about how artist migrations and subway access help drive gentrification in the city, but we never realized the two were quite so intertwined.

by Steve

The Nonprofit Quarterly has published the text of remarks made by Bill Schambra to the Wallace Foundation on January 12, 2012. Schambra offers a critical examination of The Wallace Foundation's focus on measurement and evidence-based approach to philanthropy:

This should be the moment when foundations realize that metrics, no matter how promising, do very little to sway policy decisions. Instead, they tell themselves that were it not for this one little election or unfavorable school board vote or budget crisis, the project would have worked wonderfully.

by Steve

The Future of Music Coalition looks at the state of the legislation:

In the aftermath of Congress delaying further action on the Stop Online Piracy Act (SOPA) and the PROTECT-IP Act (PIPA), there’s been a rush to summarize what the debate might mean for the future of technology and copyright policy. Naturally, we have a few thoughts.

by Steve

From Kia Makarechi at Huffington Post:

According to a press release from the Alvin Ailey Dance Foundation, executive director Sharon Gersten Luckman will step down in 2013 to pursue other plans. Luckman has held her position at Ailey for 16 years and is largely credited with breathing new life into a program which was on the verge of bankruptcy when she took over.