Philanthropic practice

by giarts-ts-admin

Cultural Diplomacy Initiative

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by giarts-ts-admin

A labor of love for individuals committed to the significance and potential of media, Why FUND Media is a timely and worthy follow-up to a 1984 publication by the Council on Foundations titled How to Fund Media. Editor Karen Hirsch seamlessly brings together a series of separate chapters written by media arts experts who've based their chapter essays on extensive consultations with field representatives and grantmakers, and on historical research.

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by giarts-ts-admin

Two related sessions at grantmaking conferences last fall addressed important questions concerning the relationship of art, culture, and the environment. In each case, funders sought practical information about creative collaboration and successful cross-sector funding. Whether labeled "arts" or "environment" funders, grantmakers craved creative ways to attract new partners — both individuals and organizations — to their work.

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by giarts-ts-admin

January 2003, 46 pages. The Urban Institute, 2100 M Street, NW, Washington DC 20037, 202-833-7200, 202-429-0687 (fax), www.urban.org/publications/310616.html.

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by giarts-ts-admin

2003, 53 pages. Blueprint Research and Design, 415-677-9700 or 206-324-4999, www.blueprintrd.com; Social Venture Partners Seattle, 206-374-8757, www.svpseattle.org. Report available at www.svpseattle.org

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   Transforming Philanthropic Transactions (733Kb)

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by giarts-ts-admin

2003, 52 pages. Fund for Folk Culture, P.O. Box 1566, Santa Fe, NM 87504-1566, 505-984-2534, www.folkculture.org; Urban Institute, 2100 M Street, N.W., Washington DC 20037, 202-833-7200, www.urban.org.

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by giarts-ts-admin
What follows are excerpts from a lecture that W. McNeil Lowry gave at Brandeis University on December 10, 1962 when he was director of the Ford Foundation's Program in the Humanities and the Arts. GIA member Ben Cameron called the speech to our attention, noting that it continues to have relevance today. The date, 1962, is important to keep in mind when reading Lowry's talk: the National Council on Community Foundations was renamed the Council on Foundations in 1964; the National Endowment for the Arts was established in 1965.
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by giarts-ts-admin

At the GIA conference in fall, 2002, we hosted a round table discussion with the euphemistic title "Adapting in a Time of Constraints." Essentially its burden was to ask: what should we, as funders, be doing for the cultural institutions with whom we work in the context of these extraordinarily difficult times?

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by giarts-ts-admin

Editors of the Reader invited GIA's research advisors to reflect on challenges facing arts grantmakers in light of current research findings on arts funding trends.

What do recent research findings suggest about the prospect for the support of arts and culture in the years ahead?

Ed Pauly: After a decade of dramatic growth in foundations' support for the arts, the funding news is now somber. Yet the meaning we make from the most recent study of foundation funding for the arts depends, as always, on the perspective we choose.

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by giarts-ts-admin

Recently, several studies of arts funding have been conducted in specific cities and regions. We report on a few of these here. In the winter 2002 issue of the GIA Reader Vol. 13, No. 1, Lisa Cremin and Kathie de Nobriga reported on a comparative study of arts funding in Atlanta and nineteen other cities. The report was both an inspiring and a cautionary tale for Ann McQueen and others in Boston as they planned the study that Cindy Gehrig reviews below.

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