Philanthropic practice

by Abigail

2009, 58 pages (12-page special supplement: Impact of the Market Decline). Association of Small Foundations, 1720 N Street NW, Washington, DC, 20036, 202-580-6560, www.smallfoundations.org

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by Steve

ARTWorks for Kids, part of the Hunt Alternatives Fund, garners sustained private and public support of arts organizations in Eastern Massachusetts and promotes the arts in classrooms, afterschool programs, and the larger community. This brochure is aimed at arts education advocacy.

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   Making the Policy Case for Public Investment in Youth Arts (564Kb)

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by Steve

Grantmakers in the Arts – 2009 Conference – Sunday, October 18, 2009

Morning: Opportunities in Arts Education: What’s Different Now?
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by Steve

Every field develops a language of its own which is generally understood by those immersed in that field. In the last twenty years Arts Education has in fact become a field and as such has a vocabulary all its own. This is not to say that those deeply involved in arts education all speak the same language—there are variations and nuances to the terms that can mystify and confound even the most experienced arts educators. But for those who do not have a background in arts education, it can be a veritable Tower of Babel.

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by Steve

The Principals’ Arts Leadership (PAL) program was created by ArtsEd Washington in 2004 to inform and support elementary school teams, led by principals, in the development and implementation of school arts plans to increase arts education. Each school’s plan was intended to build on and reflect the unique pathway appropriate to that school’s characteristics and community, using existing and new resources.

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by Steve

Beyond Price: Value in Culture, Economics, and the Arts; Edited by Michael Hutter and David Throsby; Cambridge University Press, 2007, 324 pages

The art that matters to us … is received by us as a gift is received. Even if we have paid a fee at the door of the museum or concert hall, when we are touched by a work of art something comes to us that has nothing to do with the price.
— Lewis Hyde
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by Steve

I have visited groups of GIA members and nonmembers in every region of the country this year, from Boston to Los Angeles and Atlanta to Seattle. It has been an interesting first year as executive director of GIA, to say the very least. What I have observed is that grantmakers have not taken a “recess” during this challenging time. In many ways, for private and community foundations especially, there could have been a pulling away from grantees, a kind of “we can’t help you” attitude.

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