Philanthropic practice
When the Network of Ensemble Theaters (NET) set out to produce MicroFest USA: Revitalize, Reconnect, Renew, we wanted to look at the positive impact that art and artists were having on communities around the country. Our intent was twofold: to acknowledge and advance the pioneering and current work of ensemble theaters committed to community-based practice and positive community change (placemaking), and to foster mutual learning with a wider spectrum of artists, cultural workers, and community partners also contributing to community well-being and social change (placemakers).
Read More...Success Looks Different Now: Design and Cultural Vitality in Lower Manhattan is a fluently argued report published in June 2013 by the Architectural League of New York about cultural infrastructure needs in Lower Manhattan.
Read More...February 2014, pages. Tucson Pima Arts Council, The Pioneer Building, 100 N. Stone Avenue, Suite 303, Tucson, AZ 85701, (520) 624-0595, www.tucsonpimaartscouncil.org
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The J.W. McConnell Family Foundation (1.5 Mb)
December 2013, 28 pages. The Center on Philanthropy and Public Policy, Sol Price School of Public Policy, University of Southern California, Lewis Hall 210, Los Angeles, CA 90089-0626, (213) 740-9492, http://cppp.usc.edu
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Holly Sidford, Laura Lewis Mandeles, and Alan Rapp. 2013, 219 pages, Leveraging Investments in Creativity
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What would you get?
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Building a Resilient Sector (9.2Mb)
American artists are still emerging from a bumptious cycle of structural downs and ups and institutional changes. Since the watershed of the culture wars in the early 1990s, diverse publics and legislative bodies have questioned artists’ purposes and contributions. Supporters — patrons, funders, friends — have scrambled to help them survive. In ways that may be a great blessing, an older, constraining preoccupation with artistic excellence and peer-judged grants has eroded. More inclusive notions of who artists are and of their many missions are taking root.
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