Participation / audience development

by giarts-ts-admin
Historical data do not mean anything in this situation. There is no blueprint and there is no network. We are doing the best we can with a combination of hard facts and intuition. Every line item is up for grabs; every $1,000 is material. How we feel about it all depends on which newspaper we read that morning.
—Managing Director, large performing arts group

Introduction

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by giarts-ts-admin
The following piece is excerpted from the second of a two-part article written for the Community Arts Network, “The New New Deal.” Part one, published in December 2008, was titled, “the New New Deal: Public Service Jobs for Artists.” It described some of the things artists could do with public-service jobs. This excerpt is from part two, published February 24, 2009, “A New WPA for Artists: How and Why.” In this excerpt, Goldbard takes up the question of “why,” what are all the good reasons to support a new WPA for artists.
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by giarts-ts-admin

189 pages, September 2008. WolfBrown, 8A Francis Avenue, Cambridge, MA, 02138. (617) 494-9300, www.wolfbrown.com.

Download:

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by giarts-ts-admin

2007, 44 pages. Minnesota Citizens for the Arts, 2233 University Avenue West, Suite 355, St. Paul, Minnesota, 55144, (651) 251-0868, www.mncitizensforthearts.org

http://mncitizensforthearts.org/wp-content/uploads/2008/03/interioronlyfinal.pdf

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by giarts-ts-admin

2008, 256 pages. Published by Profile Books Ltd.

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by giarts-ts-admin

2008, 64 pages. Published by the Association of Performing Arts Presenters, 1211 Connecticut Ave NW, Suite 200, Washington, D.C., 20036, (202) 833-2787, www.artspresenters.org. Dance/USA, 1111 16th Street NW, Suite 300, Washington, D.C., 20036, (202) 833-1717, www.danceusa.org. Jacob's Pillow Dance, 358 George Carter Road, Becket, MA, 01223, (413) 243-9919, www.jacobspillow.org.

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by giarts-ts-admin

Note: this text was updated on this site on January 9, 2009.

No matter your political persuasion, your age or background, place or country of residence, your professional role or disciplinary affiliation, if you work in the nonprofit cultural sector—the presidential campaign that brought Barack Obama to the White House holds lessons for you. The campaign marks a watershed in popular consciousness, and we will all do well to adapt—or evolve—accordingly.

Some things to ponder:

1. People want to be inspired.

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by giarts-ts-admin

Danny Newman, who died last year (2007) at the age of eighty-eight, was a major post- World War II patron of the arts, but his contributions were not personal checks. Rather, they lay in helping arts companies—theaters, orchestras, dance groups, operas—build strong, committed audiences, providing the sound financial basis they needed to survive and flourish. His major tool was the promotion of subscriptions, a wide-ranging effort embodied in his book Subscribe Now! Building Arts Audiences through Dynamic Subscription Promotion.

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by giarts-ts-admin

Rutgers University Press, New Brunswick, New Jersey, and London, 2008, 297 pages, Edited by Diane Grams and Betty Farrell.

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