Participation / audience development

by giarts-ts-admin

2011, 104 pages, National Endowment for the Arts, 1100 Pennsylvania Avenue NW, Washington, DC, 20506, http://www.nea.gov

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by giarts-ts-admin

2011, 104 pages, National Endowment for the Arts, 1100 Pennsylvania Avenue NW, Washington, DC, 20506, http://www.nea.gov

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by giarts-ts-admin

Fearless Journeys: Innovation in Five American Orchestras is the report of a 2009 study, funded by MetLife Foundation, which explored and documented five examples of promising innovative practices in American orchestras. This is the first formal attempt to define and to understand the organizational factors that support innovation in orchestras.

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by Abigail

2010, 195 pages, ISBN 978-0-470-49010-5. John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ, 07030, 201-748-6011, www.wiley.com

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by Abigail

January 2010, 21 pages. Fine Arts Fund, 20 East Central Parkway, Suite 200, Cincinnati, OH, 45202, 513-871-2787, www.fineartsfund.org

Supporters of the arts have struggled to develop a national conversation that makes the case for robust, ongoing public support for the arts; but public spending on the arts is too often criticized as an example of wasteful government spending or a misguided government intrusion into an area where it does not belong.

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by giarts-ts-admin

104 pages, November 2009. National Endowment for the Arts, 1100 Pennsylvania Avenue NW, Washington, DC, 20506, (202) 682-5400.

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by Steve
This keynote speech was delivered by choreographer Margaret Jenkins at the Dance/USA Annual Conference in June 2009, in Houston, Texas in a session titled “Finding the Future: Creative Sustainability in Uncertain Times.”

Originally a nautical term, battening down was a procedure to safeguard ships against bad weather. The crew would prepare for an impending storm by fastening canvas over doorways and hatches. Now in the arts, it is a time to take a few deep breaths and batten down the hatches.

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by Steve

Before the house lights dim at a production of Romeo and Juliet, I look for myself and I am delighted to find myself as I was many years ago: A teenaged boy sitting by himself. I recognize him because he keeps checking the number on his ticket against the number on the armrest. All in all, he is pleased with his seat. He wears a sweater and tie. He reads his program with the intensity I used similarly to scrutinize the actors’ biographies, the director’s notes, and the advertisements for after-theater dining.

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by Steve

On May 12th, more than 60 artists and creative organizers engaged in civic participation, community development, education, social justice activism, and philanthropy came together for a White House briefing on Art, Community, Social Justice, National Recovery.

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by Steve

2010, 48 pages, The Urban Institute, 2100 M Street NW, Washington, D.C., 20037, (202) 833-7200 http://www.urban.org

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   The Diversity of Cultural Participation: Findings from a National Survey (299Kb)

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