Cultural Policy

by giarts-ts-admin
Claudine Brown wants us to shore ourselves up with knowledge and examples of how much arts and culture are linked to everything we do. With this in mind, she offers us her own kit bag of reasons for sustaining arts and culture programs—and it's a big bag.
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by giarts-ts-admin

In the past two years, several prominent foundations at national, regional, and local levels have appointed new presidents. Such leadership transitions are likely to increase in the years ahead in keeping with the larger generational shift in the nonprofit sector. Very few of the new foundation leaders are likely to come from the arts sector, and many will have had little direct experience with our field.

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by giarts-ts-admin
When presidents and CEOs of foundations try to balance a range of equally justifiable social agendas, where are the arts? Sponsored by GIA, six foundation leaders spent a day and a half together discussing just this topic in the summer of 2008. The relevance of their conversation and the preliminary conclusions they drew are perhaps even more urgent today than they were then, as foundations face increasingly serious questions of priority.
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by giarts-ts-admin
In The Place of the Arts in Multi-focus Foundations, Bruce Sievers writes that the rationale for supporting both the arts and the nonprofit sector as a whole is integrally linked to their capacity to advance pluralism, promote voluntary action, accommodate diversity, and champion individual visions of the public good. “Civil society,” Sievers notes, is increasingly the accepted concept to describe this sphere of social action.
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by giarts-ts-admin
As we, individually or collectively, set out to make a case for the many ways the arts have relevance in today's world of economic turmoil and change, it's helpful to be clear what we mean by terms like “art,” “culture,” and “industry” and also to understand what the same terms might mean to others. The words we use are telling. Their use has a history that says much about where the work we call “art” resides in our collective lives from one period to the next.
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by giarts-ts-admin

2008, 33 pages. International Funders for Indigenous Peoples, P.O. Box 1040, Akwesasne, NY, 13655, 518-358-9500, www.internationalfunders.org

http://sites.google.com/site/cagcircle/docs/allmyrelationsoct162008.pdf

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by giarts-ts-admin

2008, 77 pages. Imagining America, 203 Tolley Building, Syracuse University, Syracuse, NY, 13244, 315-443-8590, www.curriculumproject.net

http://www.curriculumproject.net/pdfs/08.CP.report.pdf

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by giarts-ts-admin

2008, 661 pages. Sage Publications, 2455 Teller Road, Thousand Oaks, CA, 91320, www.sagepublications.com

http://www.uk.sagepub.com/booksProdDesc.nav?prodId=Book230746

This text analyses the dynamic relationship in which culture is part of the process of economic change that in turn changes the conditions of culture. It brings together perspectives from different disciplines to examine such critical issues as:

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by giarts-ts-admin

2003, 208 pages. Cambridge University Press, 32 Avenue of the Americas, New York, NY, 10013, 212-924-3900, www.cambridge.org

This book brings together two very disparate areas, economics and culture, considering both the economic aspects of cultural activity, and the cultural context of economics and economic behavior. The author discusses how cultural goods are valued in both economic and cultural terms, and introduces the concepts of cultural capital and sustainability.

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by giarts-ts-admin

2009, 40 pages. Published by the Alliance of Artists Communities, 255 South Main Street, Providence, Rhode Island, 02903, 401-351-4320, www.artistcommunities.org

http://www.artistcommunities.org/files/files/
MidwesternVoicesAndVisions.pdf

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