Arts Research

Documentary Filmmakers' Statement of Best Practices in Fair Use
2005, 8 pages

The New Deal: How Digital Platforms Change Negotiations between Public Media and Independent Producers
2006, 16 pages

Center for Social Media, American University, 4400 Massachusetts Avenue NW, Washington, DC 20016-8080, 202-885-3107, socialmedia@american.edu

2006, 12 pages. Alliance of Artists Communities, 255 South Main Street, Providence, RI 02905, 401-351-4320, aac@artistscommunities.org

2006, available online. Center for Arts Policy, Columbia College Chicago, 600 S. Michigan Ave., Chicago, IL 60605, 312-344-7985

What do Cirque du Soliel and acid mine drainage have in common? And how do they relate to arts and democracy? You can explore these questions and learn about many other surprising combinations in this mind-expanding new "cyber series" now being distributed free of charge by the Center for Arts Policy at Columbia College Chicago.

"Return with me now to those thrilling days of yesteryear

Background
The cultural sector does not exist in a vacuum. It is being challenged by major demographic, economic, technological, and social factors outside its immediate control. While the commercial arts and individual artists are also struggling to adapt to these changes, for a variety of reasons the nonprofit arts sector has been particularly slow to respond effectively.

In October 2005, the Canada Council for the Arts published preliminary findings in a study, "Comparisons of Arts Funding in Selected Countries." This research on the part of the Council is intended to "support the case that additional arts funding is needed in Canada in order for Canadian arts organizations and artists to thrive and to function on the same level as their peers in other countries." Its findings are available on the Canada Council's web site.

2006, 326 pages. United for a Fair Economy, 29 Winter Street, Boston, MA 02108, 617-423-2148, info@faireconomy.org

A thorough history outlining the ways US government policy has shaped the ways different racial groups have accumulated and maintained wealth with chapters devoted to Native Americans, Latinos, African-Americans, Asian Americans, and Europeans Americans. The concluding chapter offers policy recommendations on ways to share prosperity.

2005, 98 pages. National Alliance for Media Arts and Culture, 145 Ninth Street, Suite 250, San Francisco, CA 94103, 415-431-1391

In celebration of its twenty-fifth anniversary, NAMAC invited seven authors with an intimate knowledge of their subject matter to write about overlooked or neglected media arts histories from around the country. Highlights include "Visions and Hindsights: Seattle's and/or Alternative Art Space 1974-1984" by Robin Oppenheimer and a conversation with activist archivists Andrew Lampert and Rick Prelinger by Melinda Stone.

2005, 65 pages. McKnight Foundation, 710 Second Street South, Suite 400, Minneapolis, MN 55401, 612-333-4220

Carolyn Bye, executive director of the Metropolitan Regional Arts Council, writes in the introduction that You Are Here reports on the "small steps" taken by communities in the Twin Cities suburbs since the publication of A New Angle: Arts Development in the Suburbs in 2002. The report features profiles of twelve suburban art projects and a detailed pull-out map showing where to find them and many others.

Beginning in 1999, the United Nations Educational, Scientific and Cultural Organization (UNESCO) launched a global initiative to strengthen arts education. In 2003, Portuguese delegates to the United Nations called for a global conference to address this aim, resulting in the first-ever World Conference on Arts Education. The World Conference brought together 1,200 artists, educators, policy makers, and researchers from over ninety-seven countries in Lisbon, Portugal from March 6-9, 2006.