Arts Research

by giarts-ts-admin

Classical musics are comparatively rare; they seem to need for their existence not only a leisured class able to command a quantity of surplus resources but also a situation where that class is to some degree isolated from the majority of the people and possesses the social power to represent its own tastes as superior.

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by giarts-ts-admin

Wolf, Keens, and Company, 8 Francis Avenue, Cambridge, Massachusetts 02138

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by giarts-ts-admin

In celebration of the 100th anniversary of Paul Robeson's birth, a review of the re-issue of Here I Stand seems in order. Paul Robeson was a great singer, an exceptional actor, and a fearless champion of the artist's right to freedom of expression. The NEA wars can be put in a new perspective by reading this heroic man's struggle for the simple right to travel freely and speak his mind openly in public. How ironic that he is better known abroad than in the land of his birth.

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by giarts-ts-admin

The Arts and the Public Purpose 92nd American Assembly

From May 29 through June 1 of this year, seventy-eight individuals interested in the arts in the United States came together for the 92nd American Assembly at Arden House in Harriman, New York to debate "The Arts and the Public Purpose." The American Assembly was established by Dwight D. Eisenhower at Columbia University in 1950. Each year it holds at least two nonpartisan meetings on topics related to United States policy, each of which gives rise to a book on the subject discussed.

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by giarts-ts-admin

During the summer of 1996, the National Association of Artists' Organizations (NAAO) conducted a series of "regional think-tank sessions" with NAAO members and their constituencies in twelve cities across the country. A concern heard throughout "A Dozen Dialogues" was the need to develop, nurture, and support artists and arts professionals who are new to the field. As an initial response, NAAO brought together ten young people under the age of thirty who were identified by NAAO members as emerging leaders.

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by giarts-ts-admin

This past April, physicians, hospital administrators, therapists, artists, and healthcare designers from all over the country arrived in Grand Rapids, Michigan, for the ninth annual meeting of the Society for the Arts in Healthcare, being held this year at Spectrum Health. This year's conference, The Art of Becoming, drew 124 participants, including twenty-seven speakers.

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by giarts-ts-admin

An extraordinary and remarkable cultural event occurred this past June at the Rancho San Rafael Park in Reno, Nevada. The Western Regional Indigenous Basketweavers Gathering brought together over 500 weavers representing the nine western states, including Alaska and Hawaii for three days of demonstrations, lectures, workshops, and just a generally fine time. A pervasive air of cooperation, collaboration, and good will made for joyous celebration of the giant strides these basketweavers had made over the past several years.

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by giarts-ts-admin

To Protect the Powerless in the Digital Age
An Open Letter to Foundations: To Protect the Interests of the Powerless in the Digital Age, Communications Researchers Need Your Support

The "open letter" has a number of signers.
August 12, 1998. 33 pages. The Civil Rights Forum on Communications Policy, 818 18th Street, N.W. Suite 810, Washington, D.C. 20006, 202-887-0301, forum[at]civilrightsforum.org.

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by giarts-ts-admin

GIA members in Chicago are hopeful that you are preparing to join us for GIA's 1998 annual conference — “Arts Under 21” — that will concentrate on youth and arts using the city of Chicago as a laboratory and model. Here in the Second City, we're awfully proud of our cultural institutions and since the conference can't possibly show it all off in four days, it seems useful to give a snapshot of some of the other arts events and programs that will be in Chicago this November.

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by giarts-ts-admin

A critic for The New York Times, wrote about last winter's Perigino exhibit at the Grand Rapids Art Museum in Michigan, "This is perhaps the most important exhibit of the decade, in the least important of places."

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