Social Justice

by Carmen Graciela Díaz

Philanthropic organizations and funders launched together the California Black Freedom Fund, a new $100 million initiative to provide resources to Black-led power-building organizations in the state over the next five years.

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by Carmen Graciela Díaz

“Where is the point of connection between people who are impacted by these systems of injustice and people who may have thought they had some distance from it? Where do they actually share a similar experience and how do you build a cultural strategy out of that point of connection?”

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by Carmen Graciela Díaz

The Andrew W. Mellon Foundation’s Monuments Project initiative will fund, according to the announcement, five projects "focused on confronting the past and shaping the future by challenging the narratives behind America’s monuments."

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by Carmen Graciela Díaz

In a recent Artsy article, Kemi Ilesanmi, executive director of The Laundromat Project (The LP), discussed the mission and the work of this New York–based, POC-centered organization "that aims to meet the concerns of local communities of color and enact change through public engagements with the arts by actualizing spaces like community gardens, plazas, and, yes, laundromats."

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by Tram Nguyen

This session shared findings from a partnership between GIA and the Cultural Strategies Council and the National Accelerator for Cultural Innovation to explore how non-arts funders can transform their practice to advance racial justice via cultural expression and the arts.

As another systems practitioner aspiring to transformational systems change (from the public health sector and local government), I greatly appreciated and enjoyed the breadth and sharpness of this panel’s expertise and analysis. First was the reminder by Kiley Arroyo of the Cultural Strategies Council that transformational change involves engaging multiple levers at once—at the foundational level, that of “deep culture” or paradigm change. What happens when we start by decentering the Western, settler colonial, extractive worldview? What happens when we start with a different story?

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by Carmen Graciela Díaz

Coco Fusco writes in Hyperallergic that “equity won’t be achieved by a new biennial, another emerging artist of color survey, or a record auction sale by a Black artist.”

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by Carmen Graciela Díaz

In "The Quantum Nature of Black Revolutionary Theatre" part of Black Theatre Commons' A Call for Revolutionary Theatre 2020 series, Sage Crump discusses how quantum ideas "evident in nature and how our communities organize outside of government control, can support honing the practice of Black Revolutionary Theatre."

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by Carmen Graciela Díaz

As protests for racial justice seethed through Philadelphia, "Philadelphia’s Bread & Roses Community Fund, a grant-making organization with a social-justice mission, received as much in donations — more than half a million dollars — as it would normally get for the whole year," The Philadelphia Inquirer reported.

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by Carmen Graciela Díaz

Pillars recently introduced its Muslim Narrative Change Cohort, integrated by Muslim artists, practitioners, academics, and thinkers who, according to the announcement, "are creating a transformative narrative strategy that will offer us the opportunity to change stories, ideas, behaviors and, ultimately, society".

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by giarts-ts-admin

The full transcript of this podcast is published below.
Explore the full GIA podcast.

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