Public Policy & Advocacy

Grantmakers in the Arts holds public policy and advocacy as one of its core funding focus areas and believes one of the most important roles we can serve in benefitting our members and the arts grantmaking community – maximizing the impact our sector can have toward increasing access to the arts and realizing racial justice through the arts – comes by way of our public policy and advocacy work. In GIA’s vision for the future, foundations have shifted their foci to increasingly include advocacy and public sector policy and practice.

As part of realizing this vision, we provide programs to teach our members about advocacy and lobbying, the difference between the two, and how grantmakers can support both. GIA advocates for lifelong learning through the arts from early childhood through K-12 and into senior years. Knowing that the arts and arts education cannot be provided without artists, we necessarily advocate for economic justice for artists and other workers.

We are committed to invigorate funding and support for arts education within federal policy, and defend that every resident has access to the arts as part of well-rounded, life-long education. Over the past several years, raising the visibility of the arts in the Elementary and Secondary Education Act (ESEA) in its legislative form. GIA and Penn Hill Group continue these advocacy efforts around the Every Student Succeeds Act (ESSA), guiding GIA members and their grantees in advocating for new or expanded arts programs at their local schools and districts. Organized since 2012, GIA’s Arts Education Funders Coalition (AEFC) has worked to address identified needs in comprehensive arts education and to strengthen communication and networking among arts education funders.

The AEFC includes members from Americans for the Arts, Arts Education Partnership, Center for Cultural Innovation, The George Gund Foundation, The Heinz Endowments, The William & Flora Hewlett Foundation, and Wallace Foundation, among others. Advised by a committee of Coalition members, GIA engaged the services of Washington, D.C.-based Penn Hill Group, a firm with education policy expertise and experience working with diverse education groups to research, develop, and promote educational policy strategies.

Most recently, GIA worked with Representative Suzanne Bonamici (D-OR) on the development of the Arts Education for All Act, the broadest arts education policy bill ever introduced in Congress. In Spring 2021, GIA influenced the U.S. Department of Education to highlight the importance of equitable access to arts and culture when determining how to reopen schools. Additionally, GIA emphasized the need to make explicit how this access was racialized prior to the pandemic. Addressing this inequity was essential to effective reopening and remains essential to the adequate provision of comprehensive, well-rounded education.

GIA advocates and lobbies for lifelong learning. GIA is delighted that, in 2020, Congress passed the Supporting Older Americans Act including our recommendations that the Administration on Aging include the arts in the issues to be identified and addressed and be included among supportive services for older Americans.

GIA continues to advocate and lobby for economic justice for workers, including artists. GIA has successfully lobbied to include arts-related provisions in the Child Care for Working Families Act, which proposes to better help low-income families pay for childcare and expand high-quality state preschool options. GIA advocated for AmeriCorps to make national volunteer service more accessible by offering an increase in living allowances. We have also called for arts grantmakers to advocate for portable benefits for workers and has released a call for our stakeholders to endorse the Portable Benefits for Independent Workers Pilot Program Act. GIA advocates for changing public policies to allow people with disabilities, including artists, to secure greater resources for their work without being rendered ineligible for public supports and is endorsing the re-introduced SSI Savings Penalty Elimination Act. The bill raises the limits on assets people with disabilities can hold before being disqualified from public benefits while also indexing those limits to inflation.

GIA is realizing our vision through the GIA Cultural Policy Learning Series and Action Lab, which focuses on such issues as racial equity & transformational practice in the public sector, translating between sectors and planning toward action.

GIA is eager to continue informing the field’s support for advocacy, to advocate for national policies that enhance lifelong access to the transformative power of arts and culture that create economic justice for artists and other workers.

by giarts-ts-admin

Re-imagining Orchestras: A forthright report on the mixed results of one foundation's efforts

Stan Hutton

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by giarts-ts-admin

Copies of the report may be obtained from the Alliance of Artists' Communities, 210 SE 50th Avenue, Portland, Oregon 97215

The Alliance of Artists' Communities released American Creativity at Risk: Restoring Creativity as a Priority in Public Policy, Cultural Philanthropy, and Education. The report documents a symposium held in November, 1996 and attended by artists, educators, administrators, critics, and grantmakers.

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by giarts-ts-admin

Hotel-Motel Taxes for the Arts
AMS Planning and Research, edited by Randy Cohen - 1996, 11 pages

Sales Taxes for the Arts
Duncan M. Webb, AMS Planning and Research - 1996, 15 pages

Amusement Taxes for the Arts
Martha I. Dodson, edited by Rachel S. Moore - 1997, 14 pages

Americans for the Arts Books c/o Whitehurst & Clark, 100 Newfield Avenue, Edison, New Jersey 08837, 800-321-4510 ext. 241, www.artsusa.org.

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by giarts-ts-admin

1998, 82 pages, SPUR, 312 Sutter Street, Suite 500, San Francisco, California 94108-4305, 415-781-8726, fax: 415-781-7291, spur[at]well.com.

Produced by San Francisco Planning and Urban Research Association, this report provides details and insights from a three-day community workshop that addressed the following concerns:

  • the ability of cultural institutions to meet their full audience potential, to educate needy individuals, to attract new donations, and to secure major traveling exhibits
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by giarts-ts-admin

In celebration of the 100th anniversary of Paul Robeson's birth, a review of the re-issue of Here I Stand seems in order. Paul Robeson was a great singer, an exceptional actor, and a fearless champion of the artist's right to freedom of expression. The NEA wars can be put in a new perspective by reading this heroic man's struggle for the simple right to travel freely and speak his mind openly in public. How ironic that he is better known abroad than in the land of his birth.

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by giarts-ts-admin

On March 7, 1997, the Los Angeles County Arts Commission, in conjunction with Community Partners, ARTS Inc., and the California Assembly of Local Arts Agencies, convened a workshop titled "Arts Incubators: Building Healthy Arts Organizations and Healthy Economies." The seventy-plus participants included representatives of arts organizations, local arts agencies, municipalities, and foundations.

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by giarts-ts-admin

The Metropolitan Denver Scientific and Cultural Facilities District (SCFD) is a new member of GIA. It is a six-county regional public funding agency, formed ten years ago this coming November. It was created at a time when much public funding was being challenged, if not actively cut back. The formation of the district and its continuing success have been models for a number of other communities.

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by giarts-ts-admin

The Seventh Generation Fund for Indian Development, Inc. (SGF) was founded in 1977 "as an intermediary Native American foundation and advocacy organization dedicated to promoting and maintaining the uniqueness of Native Peoples and our nations." More than a regranting organization, SGF provides not only grants but also advocacy, leadership training, management support, training, and technical assistance to Native community-based projects in the continental United States, Alaska, Hawai'i, Canada, and South and Central America. SGF is a new member of GIA.

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by giarts-ts-admin

To Protect the Powerless in the Digital Age
An Open Letter to Foundations: To Protect the Interests of the Powerless in the Digital Age, Communications Researchers Need Your Support

The "open letter" has a number of signers.
August 12, 1998. 33 pages. The Civil Rights Forum on Communications Policy, 818 18th Street, N.W. Suite 810, Washington, D.C. 20006, 202-887-0301, forum[at]civilrightsforum.org.

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by giarts-ts-admin

I still remember my first sight of New York. It was really another city when I was born—where I was born. We looked down over the Park Avenue streetcar tracks. It was Park Avenue, but I didn't know what Park Avenue meant downtown. The Park Avenue I grew up on, which is still standing, is dark and dirty. No one would dream of opening up a Tiffany's on that Park Avenue, and when you go downtown you discover that you are literally in the white world. It is rich—or at least it looks rich. It is clean—because they collect the garbage downtown. There are doormen.

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