GIA Blog

Posted on by Hoong Yee Lee Krakauer

Mason Bates What do you think of when you hear the word – symphony? I am sure these are a few that may come to mind: Classical Full Concert Beethoven Crowd management What? Try hiding your surprise without choking on … Continue reading

Posted on by Steve

Michael Edwards writes for The Guardian UK:

Foundations do have power, and their influence is growing. But they also have an obligation to use it in ways that help others to choose the future that is best for them – even if this takes more time, differs from standard templates, and encounters detours along the way. Balancing the demands of democracy with the determination to address global problems in a focused and energetic manner is the key issue facing philanthropy in the century to come.
Posted on by Tommer

The Doris Duke Performing Artists Initiative is a special initiative of the Doris Duke Charitable Foundation (DDCF), providing pioneering support to individual artists while adding $50 million to the Foundation’s substantial existing commitment to contemporary dance, jazz, theatre and related interdisciplinary work.

Posted on by Hoong Yee Lee Krakauer

Alyce Myatt They say the fastest growing population of video game players are women over 60. “Oh my God I’ll never get there!” a woman in the back of the room was clearly overwhelmed by the though of disappointing her … Continue reading

Posted on by Steve

The latest post from Hoong Yee Lee Krakauer for the San Francisco conference blog covers a session on video game design that featured Alyce Myatt of the NEA and Jonathan Blow, an independent video game developer:

They say the fastest growing population of video game players are women over 60.

“Oh my God I’ll never get there!” a woman in the back of the room was clearly overwhelmed by the thought of disappointing her demographic.

Posted on by Steve

The Andy Warhol Foundation announced on Wednesday that it will end its authentication board early next year. In a statement, the foundation said the move reflects its intent to shift focus toward maximizing “grant-making and other charitable activities in support of the visual arts.” In recent years, the foundation has been involved in legal disputes over its authentication process for works whose owners said they were by Warhol.

Posted on by Steve

Lucy Bernholz writes for Sh’ma: A Journal of Jewish Ideas about philanthropy beyond Foundations:

What does it mean to be Jewish and philanthropic in 2011? Larry Moses wisely addresses this question from the perspective of the Jewish tradition of tzedakah. I am not a religious scholar; I am a philanthropy wonk. I study, write about, and consult with philanthropists on the changing ways we can create, fund, and distribute shared social goods such as education, health services, elder care, and cultural and artistic endeavors. My perspective on this question is to look at the modern business of giving, and to seek to apply those tools to the pursuit of justice.
Posted on by Steve

From the MAEA blog, a plea to Arts educators to leverage technology tools for self-advocacy:

Although this is a challenging time for Visual Arts teachers because these classes are often viewed as being an "extra" part of the day, it is also a great opportunity to show how critical this subject area is to fostering student success and achievement.
Posted on by Tommer

Britain is turning away countless non-European writers, artists and performers at its borders, a result of cumbersome and unevenly interpreted immigration rules that are making it increasingly difficult for many arts organizations to include foreigners in their programs.

Posted on by Tommer

S. 978 makes unauthorized web streaming of copyrighted content a felony with a possible penalty of up to 5 years in prison. Illegal streaming of copyrighted content is defined in the bill as an offense that "consists of 10 or more public performances by electronic means, during any 180-day period, of 1 or more copyrighted works" and has a total economic value, either to the copyright holder or the infringer, of at least $2,500.

Post a video of yourself singing "Happy Birthday" - a potential 5 years in the slammer. This song is protected by copyright until the year 2030.