Steve's Blog

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The latest SNAAP DataBrief draws upon data from the more than 36,000 arts alumni from 66 institutions who responded to the SNAAP survey in 2011:

Who's Working as an Artist?
  • College major with the highest percentage of graduates who have ever worked as professional artists: Dance, Music Performance, and Theater at 82%
  • College major with the highest percentage of graduates who currently work as professional artists: Architecture and Music Performance at 61%
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From Nonprofit Quarterly:

...it appears that some categories of recipients have seen legitimate gains over the last year, recovering from the cratering caused by the recession. Giving to the arts, for instance, looks like it may be recovering, although for some organizations, deficits caused by unfortunately timed investments made in programming or facilities have caused problems that now need to be remedied. The growth of giving in this area from last year to this is even more striking when you consider that last year, the giving in that category was inflated by one $800 million gift to one museum.
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From Craig Melvin, reporting for NBC's Today, comes this story about Philadelphia's Mural Arts Program, begun in 1984 to connect students with teachers and world-renowned artists to design and paint more than 3800 murals city-wide.

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In a historic move, the leaders of the country’s three leading sources of information on nonprofits – GuideStar, Charity Navigator, and BBB Wise Giving Alliance – penned an open letter to the donors of America denouncing the “overhead ratio” as a valid indicator of nonprofit performance.

Read the full post.

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Hayley Roberts analyzes the University of Pennsylvania's Culture and Community Revitalization for Createquity's Arts Policy Library series.

From 2006 to 2008 SIAP’s Mark J. Stern and Susan C. Seifert researched and compiled a set of documents that sought to investigate the real impact of the “creative economy” on community and economic development. The Rockefeller Foundation funded SIAP and The Reinvestment Fund to partner and “merge cultural data with other types of information on urban revitalization.” The project’s publications included a literature review, three policy briefs, and a community investment prospectus in addition to a range of summary materials. This project led SIAP to frame its subsequent work around the concept of “natural” cultural districts, or specific geographic areas dense with cultural assets that have evolved in grassroots fashion.
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From Sandra Tan at The Buffalo News:

The Buffalo Public Schools are dropping band, orchestra and all other instrumental music programs next year in half the schools that currently have such program, according to district teachers. That’s 14 of the 28 remaining instrumental music programs. District teachers estimate 1,300 students will be affected. Another four schools will see reductions in their instrumental music programs.
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From Open Culture:

How could David Byrne never have given a commencement address before? As an experienced public speaker, a well-known creator who has carved out his own cultural niche, an advocate of things (such as cycling) beloved among world-changing young people, the founder of a band with a surprising multi-generational appeal, and a man with no small command of Powerpoint, he’d seem to make an appealing choice indeed. His first commencement address ever came this year at the Columbia University School of the Arts.
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A new research resource from the National Endowment for the Arts gives statistical profiles of Americans who reported an artist occupation as their primary job, whether full-time, part-time, or self-employed. The dataset looks at artists in 11 distinct occupations, including actors; announcers; architects; art directors, fine artists, and animators; dancers and choreographers; designers; entertainers and performers; musicians; photographers; producers and directors; and writers and authors. Some tables offer data on employed artists in particular, while other tables measure all artists in the workforce, both employed and looking for work.

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Through its Bolder Advocacy initiative, Alliance for Justice seeks to promote an active role for nonprofits in influencing public policy and to help them navigate the rules. The following webinars are coming up this summer:

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From John Butman, writing for Harvard Business Review:

There is a new player emerging on the cultural and business scene today: the idea entrepreneur. Perhaps you are one yourself — or would like to be. The idea entrepreneur is an individual, usually a content expert and often a maverick, whose main goal is to influence how other people think and behave in relation to their cherished topic. These people don't seek power over others and they're not motivated by the prospect of achieving great wealth. Their goal is to make a difference, to change the world in some way.