From Russ Buettner at The New York Times:
The information will be compiled electronically and could shine a light on executives who take home an outsize share of their organization’s revenue.
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From Russ Buettner at The New York Times:
The information will be compiled electronically and could shine a light on executives who take home an outsize share of their organization’s revenue.
MetLife Foundation and Theatre Communications Group (TCG) announce the fourth round of recipients for the MetLife/TCG A-ha! Program: Think It, Do It, which supports the creative thinking and action of TCG member theatres with the goal of impacting the larger theatre community. Five theatres were awarded grants, totaling $225,000, to either research and develop new ideas or experiment and implement innovative concepts.
The Association of Performing Arts Presenters (APAP) announced today the appointment of Mario Garcia Durham as President and CEO. He is the fifth executive director since the organization’s founding in 1957, and follows Sandra Gibson, who stepped down June 30, 2011. Gibson has continued to serve as APAP Special Executive, and will remain in that position through September 30, 2011.
A number of U.S. communities have been building citywide systems to make high-quality after-school programs more available to children. Many such efforts have shaped their work around the collection and analysis of current, credible data. This guide looks at the kinds of data cities are gathering, how they collect it and how they put it to use.
A pair of reports have come out from Stanford Social Innovation Review dealing with Advocacy. Both are well worth a read.
The Elusive Craft of Evaluating Advocacy, by Steven Teles and Mark Schmitt, looks at the problems of evaluating advocacy given the chaotic nature of the political process in America. The explore various methods to examining advocacy (and advocates).
From David Freedlander at The New York Observer:
Also, "How to Make a Meme":
From Abraham Ritchie at Art Works:
From Zoe Fox at Mashable:
Ian Padgham, former social media guru of the San Francisco Museum of Modern Art says museums started flocking to social media in 2009. Museums initially used social media just to advertise events and exhibits, but quickly jumped into a world of interactive education and user generated content.
From Ariel Schwartz at Fast Company: