Support for Individual Artists

2006, 124 pages. The H. John Heinz III School of Public Policy and Management, Carnegie Mellon University, 5000 Forbes Ave., Pittsburgh, PA 15213

Download pdf: www.heinz.cmu.edu

2007, 19 pages. Dance USA, 1111 16th St NW, Suite 300, Washington, DC 20036, www.danceusa.org

2007, 223 pages. The Foundation Center, 79 Fifth Avenue, New York, NY 10003.

In 2006, for its fiftieth anniversary, the Foundation Center's online resource, Philanthropy News Digest, conducted fifteen inter-views with leaders in philanthropy. This book is the collection of those interviews, compiled with an introduction by former GIA board member James Allen Smith

Collaborative Circles: A Review

Frances Phillips

1999, 556 pages, Alpert Award in the Arts, 1414 Sixth Street, Santa Monica, California 90401.

"Somewhere between tête-à-tête and performance” is the way Irene Borger, program director of the CalArts/Alpert Award in the Arts, describes the interviews with twenty award recipients that are featured in this volume marking the program's fifth anniversary.

December 1997, 77 pages, The Rockefeller Foundation Arts and Humanities Division, 420 Fifth Avenue, New York, New York 10018-2702, 212-869-8500

During the summer of 1996, the National Association of Artists' Organizations (NAAO) conducted a series of "regional think-tank sessions" with NAAO members and their constituencies in twelve cities across the country. A concern heard throughout "A Dozen Dialogues" was the need to develop, nurture, and support artists and arts professionals who are new to the field. As an initial response, NAAO brought together ten young people under the age of thirty who were identified by NAAO members as emerging leaders.

"It takes thirty leaves to make the apple."
— Thich Nhat Hanh

Typically when businesses decide to support the arts they do so through a grant-giving mechanism or through a program that places employees as volunteers and consultants in arts organizations. But, I've noticed a different kind of interaction between the profit-making and not-for-profit art worlds in recent years. Some business people have set up foundations dedicated to improving the ethical and cultural context in which their own professions practice.

Lance T. Izumi is a senior fellow in California studies at the Pacific Research Institute for Public Policy. The following text is based on a transcript of Izumi's remarks at a symposium sponsored by the Western States Arts Federation (WESTAF). The topic of the two-day symposium was the support of visual artists. It was held in Seattle on December 4 and 5, 1997. The remarks are published here with permission of Izumi and WESTAF.