Arlene Goldbard

March 4, 2016 by giarts-ts-admin

What comes to mind when you hear the phrase cultural policy? Given the GIA Reader’s audience, I imagine answers that run the gamut from dry-as-dust studies to brilliant proposals for weaving new cultural fabric.

But in my role as Chief Policy Wonk for the U.S. Department of Arts and Culture (USDAC), when I set out to write about our new generative cultural policy proposals in An Act of Collective Imagination: The First Two Years of the USDAC’s Action Research, I had a whole different audience in mind: people who may never have heard the phrase before.

September 16, 2013 by giarts-ts-admin

Arlene Goldbard. 2013, 185 pages, Waterlight Press

The Wave

Arlene Goldbard. 2013, 129 pages, Waterlight Press

November 12, 2009 by Steve

On May 12th, more than 60 artists and creative organizers engaged in civic participation, community development, education, social justice activism, and philanthropy came together for a White House briefing on Art, Community, Social Justice, National Recovery.

April 30, 2009 by giarts-ts-admin

2008, 77 pages. Imagining America, 203 Tolley Building, Syracuse University, Syracuse, NY, 13244, 315-443-8590, www.curriculumproject.net

http://www.curriculumproject.net/pdfs/08.CP.report.pdf

April 30, 2009 by giarts-ts-admin

The following piece is excerpted from the second of a two-part article written for the Community Arts Network, “The New New Deal.” Part one, published in December 2008, was titled, “the New New Deal: Public Service Jobs for Artists.” It described some of the things artists could do with public-service jobs. This excerpt is from part two, published February 24, 2009, “A New WPA for Artists: How and Why.” In this excerpt, Goldbard takes up the question of “why,” what are all the good reasons to support a new WPA for artists.

The Art of Social Imagination

July 31, 2007 by giarts-ts-admin

New Year's Day, 1980, found Arlene Goldbard living in Washington, D.C. monitoring and reporting on our nation's de facto cultural policy. The fact that Arlene was doing this says a lot about the leadership role that many of us were counting on the federal government to play in leveling the field so that our many U.S. cultures would have an equal chance to express themselves, to develop, and, inevitably, to cross-pollinate. It was a substantial and beautiful vision then, and remains so today.

August 30, 2003 by giarts-ts-admin

2002, 376 pages, free. New York: The Rockefeller Foundation Creativity & Culture Division.