ART AND THE PUBLIC PURPOSE: A NEW FRAMEWORK
Check out this new site about the framework was developed by the Cultural Policy Working Group created on May 12th, 2009, following a White House Briefing on Art, Community, Social Justice, National Recovery.
This Framework offers five concepts that hold the key to cultural recovery and its role in national recovery. Actualizing them will require our best thinking; we are ready to offer program plans, implementation advice, to roll up our sleeves and help in every way. Now is the time.
1. Use creativity for the common good. Recovery means building a new foundation for economic growth, improving infrastructure, aligning us in public purpose, then sustaining these gains. Artists and cultural organizers already contribute to every community, urban and rural, educating the whole student, cultivating resilience through public art projects, bringing the healing power of dance, drama and story to senior centers, hospitals and prisons, and more. They innovate, inspire and engage. In health, education, social services, employment and training, environment, transportation, community development, energy, international relations—every aspect of our democracy—our public sector can be more effective by infusing its work with the power of culture, forging partnerships with artists and organizations. National policy should mandate that every agency recognize cultural action as a valid instrument of the public good.
2. Engage all of us. To succeed, our national goals need everyone. Our cultural landscape is a rich and varied tapestry of heritage and new creation. The right to culture—to honor those who came before, express ourselves and take part in community life—is a core human right. Our national policy should mandate equal opportunity to contribute to and benefit from cultural life, whether our families are indigenous to this land, have lived here for many decades or just arrived; whether we live in cities or the countryside; regardless of color, creed, orientation or physical ability. The way we support, protect and promote culture should reflect our best, our national commitment to equity, fairness and inclusion.
3. Build on cultural memory. Every community’s cultural fabric is made of shared places, customs, values and creative acts. The stronger it is, the more likely that kids will stay in school, businesses will thrive, neighbors will celebrate and learn from each other. When we forget this, we pay a price. How would our cities be different if policy-makers had considered the cultural lives of the neighborhoods leveled to make way for new stadiums, performing arts complexes and freeways? Cultural policy should be modeled on laws assessing environmental impacts, considering the human and cultural cost of public actions before approving plans. Instead of winners and losers, we should strive for partnerships between community members, the public sector and entrepreneurs.
4. Put artists to work to support cultural recovery. We need a “new WPA,” a public service jobs program addressing all our national goals—clean energy, excellent education, sound economy, good health and more. It should include putting artists and creative organizers to work for the common good using every art form and way of working: providing well-rounded education, sustaining and caring for the ill, engaging elders in creativity, rebuilding community infrastructure to reflect our best. Seventy-five years ago, the WPA supported five arts programs as part of FDR’s program to recover from the Great Depression. It worked. Today, jobs are still the engine of prosperity; when tied to public purpose, no investment brings greater impact.
5. Stand for free expression, supporting democratic media. Real democracy requires inclusive public conversation, respecting diverse voices, providing the proper tools for an open society. We are long overdue to address media monopolies, using regulation to defend free expression. To earn the world’s respect, national policy should stand for free cultural exchange and free speech, including robust public media and universal, affordable high-speed Internet access. Neither government nor corporations should have the right to control expression, exploit others or restrict devices or infrastructure for the widest possible information transmission. Artists, like all who work for a living, should benefit from the fruits of their labors.